In case you want a technical explanation: Tetenal asks you in their instructions to BLIX right after CD without any wash step in between. The BLIX will oxidize your color developer, and the oxidized CD will happily react with the color couplers in your film. A stop bath will stop color development, and the wash cycle will get rid of all color developer left in the emulsion. Your BLIX can then do its job properly, since at that point there will be no color developer left to stain your images.
They don't. Nowhere does it say "don't use a stop bath", but the instructions don't say "always use a stop bath between CD and blix", either.
Well, Jobo certainly does say on page 11:
Caution: For most reliable results, do not add a stop-bath and/or rinse
between the developer and the bleach (or bleach-fix) steps. Doing so may
produce significant increases in contrast and density of the image. The
film may not print correctly.
So why would they say that if everyone else here is saying 'stop is better'?
I'm not saying either is right, I only did my first 3 rolls of C-41 last weekend with no stop and no problems, it's all just getting a little confusing with the conflicting information.
All I can say is that I have used stop&rinse between CD and BLIX for years
Thanks for the link to the JOBO document. That makes interesting reading. They do seem to contradict what the Tetenal instructions say about the stop bath. Reading through this doc, I can see I've made a load of mistakes with my processing:
1. I assumed the pre-warm meant with water, so I've been filling the tank with 38C water and running it on the processor at slow speed for 5 minutes. My poor film has been getting a long warm soak!
2. I didn't realise the Blix needs to be oxygenated, so I haven't been shaking the bottle before use. Also didn't realised that I could go over time with the Blix without harming the film. I've been whipping it off the processor like crazy when it's bang-on 4 minutes.
3. I thought the stabiliser had to be run on the processor. No wonder it's like a foaming bubble bath when I take the lid off!
Doh.
When I started this thread I was slightly disappointed with the yellow streak...now I'm utterly amazed I have any photos at all
This is not a problem and I always use 38°C water to presoak and prewarm my film. It is the easiest way to get you film tank up to temp.
Four minutes sounds a bit short, as far as I remember Tetenal's instructions correct BLIX time starts at 6 minutes and goes up as you process more rolls. Yes, BLIX runs to completion, you can under-BLIX (very bad! ) but you can't over-BLIX, and the experts here on APUG commonly recommend extending BLIX times by 50% for good results.
Anything between 1 and 3 % sounds about right. Make sure you pour acid into water, not the other way round, when you mix your stop bath! And good luck with your next process run!I bought a bottle of 99% glacial acetic acid yesterday to use as my stop bath. Any advice on what dilution I should be using? I found a post elsewhere that referred to 3% acetic acid - so about 10ml in my single film tank. Does that sound right (before I go and burn the hell out of my film!)?
Thanks for the link to the JOBO document. That makes interesting reading. They do seem to contradict what the Tetenal instructions say about the stop bath. Reading through this doc, I can see I've made a load of mistakes with my processing:
1. I assumed the pre-warm meant with water, so I've been filling the tank with 38C water and running it on the processor at slow speed for 5 minutes. My poor film has been getting a long warm soak!
Yes, you want the pre-soak to be warm to warm the film and to prevent reticulation.
As we know, there is hardly any "cheap" C41/E6 film around anymore, and the companies still dominating that market (Kodak, Fuji, Ilford) preharden their films. I would therefore challenge everybody to bring up an example of reticulated color film (C41 or E6), where the effect was triggered by water and standard processing chemistry in the temperature range between 10°C and 50°C in arbitrary sequence.
Anything between 1 and 3 % sounds about right. Make sure you pour acid into water, not the other way round, when you mix your stop bath! And good luck with your next process run!
Given the pricy-ness of film, I will take the challenge if you will pay for the film and the chemicals.
I will happily reimburse you for film&chems in case you can show proof of reticulation under the circumstances I described before, if you promise to pay me US$ 1 for each roll that will not suffer damage. Deal?
:munch:
Counter offer: You pay all costs incurred and I will supply the time and labor.
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