Brett and Edward Weston

Merg Ross

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Yes, I believe Pan-X and and the early ORWO/Agfa slow film. Do not use my comments as an authority, because we seldom engaged in technical talk.

OT, but I mostly use slow Ilford film with the Rollei 66. Thanks for the comments, my daughter is putting new work on my website in a few weeks.

Brett always wanted to make a trip to Japan, good to hear that he captured the "feel" of the country on his only visit. It was at a time when the Rollei was very new to him, and the 8x10 was giving way to the ease of the smaller camera; this is obvious in his choices for the Portfolio.
 

mjs

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That was about the time my step-father was finishing his Army service. He had been a tree surgeon (tree trimmer) in civilian life, so the Army made him a medic. He spent his Army service taking care of the base shrubbery and killing rattlesnakes somewhere in Texas!

Mike
 

adyphot

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Brett's use of Agfapan film

Brett explained to me more than once why he preferred Agfa films to Kodak's. Both brands were good, but he preferred Agfa because the box has a flap. Yes, you heard me right. You can put the exposed film back in and the flap closes down inside the end, whereas Kodak has straight end flaps that are just glued closed, and after you open the box, there's no flap there to reclose the box. You would need to carry some tape with you to reclose the Kodak boxes.

That's it.

Aaron Dygart,
Honolulu
 

Merg Ross

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Aaron, how wonderful that you have chimed in! Your writings of the days you spent photographing with Brett in Hawaii are marvelous. They fill in the years toward the end of his life that I missed, and you captured the real Brett.

I last saw him at his home in Carmel Valley, six months before he died, but called him on his 81st birthday in Hawaii. He died a month later.
 

adyphot

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Merg,
Thanks. I really enjoyed your work in that same magazine, I believe it was, and I appreciate the kind words. I've enjoyed reading your posts on this site, too. Brett spoke highly of you. Sorry we didn't meet in person over here.

doughowk,
The magazine just made a change in the last issue. It's now Photo technique (without the "s"). It doesn't look the same. I would expect to see past issues listed again on their web site in the near future, though. There is a possibility of those articles coming out with an added fourth article in a book by a different publisher. I expect to meet with the publisher in the near future, but I don't know if it's really going to happen yet. I'll keep you posted.

Aloha,
Aaron
 

PVia

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Aaron, beautiful photographs on your site.

I'd also recommend to other APUGgers to check out the images of Brett Weston working in the field along with some wonderful recollections at Dead Link Removed. Click on Portfolios and then Brett Weston.
 

Andrew A.

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Aaron, beautiful photographs on your site.

I'd also recommend to other APUGgers to check out the images of Brett Weston working in the field along with some wonderful recollections at Dead Link Removed. Click on Portfolios and then Brett Weston.

thanks for the link!!....that last image looks like "snake time" in his home....snake time is now a new term for me - not necessarily a new activity
 

adyphot

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Thanks, PVia and Andrew A. for the kind words about my site. It's very new, and photographs are being added at least weekly. I'm glad you found it and the link to Mathias's site.

Mathias brought Brett to Hawaii for the first time and I helped him put together the "Brett Weston Visual Retreat." People who were there still remember it and really seemed to enjoy it.

You should also check out Mathias's Mount St. Helens work. He and I were staying at my folk's place in Oregon when he made that treck with the scientists into the crater, and the new dome erupted while they were in there. They had to hide in an ice cave for awhile because there were some volkswagon sized rocks coming down. Mathias came back to the house covered with ash and grinning from ear to ear. Brett called him the "mad dutchman." When Brett broke his foot, Mathias came over to the big island and took care of him while he was on crutches. Even on crutches, though, Brett kept on photographing.

Aloha,
Aaron
 
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Merg Ross

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Do you know Milt Halberstadt?
Yes, we exhibited in a group show at the San Francisco Museum of Art in 1954. At that time, Milton was experimenting with Kodalith, tone-line, and solarization. He continued with photography and became one of the the top advertising photographers in the area from his studio in San Francisco.
 

Russ - SVP

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I spent an evening with Brett. We drank Guinness beer and talked shop. Friendly Nn’s informative chat. His prints were beautiful.
 

jtk

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He was my favorite client at Adolph Gasser's in San Francisco, was famously cranky so we saw eye to eye. Fingers shot off in a B17 run over Germany,. He taught me a big lesson about food photography : use spots.
 

Loren Sattler

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If anyone has a copy of the article discussed earlier in this thread, I would appreciate an opportunity to read it. Please send.

Regards,
Loren
 
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