I've read about the beaker comment and was just wondering if he used any Panatomic-X or other in roll, but it's not important. What are you using these days for 120, have you refined out the Rollie Pan 25 for you personal work? I think your work is excellent, having seen some examples on the the site and in publications, are you under exposed in the public arena as to work shown?
Seeing the Japan portfolio I was mentally taken back to the time I spent there in the 1970's. This portfolio in its entirety captures the "feel" of the country. Just one more example of the genius of Brett Weston.
Regards,
Curt
Hi Curt, questions are fine, however I have few answers when it comes to Brett's technique. It was seldom a topic of discussion for more than a few minutes. He was once asked about dilutions and responded that he had two beakers; one he filled with stock and the other he filled with water. So much for the fine points of his technique. Yes, he did use the Agfa Pan 25 and developed it in Rodinal, that I do know; reports are at 1:100.
Brett and I had different, yet similar, Army experiences. He was sent to truck driving school, until someone higher up realized that he was Edward Weston's son and might be better off in a photographic capacity. So, the strings were pulled, and Brett was sent to the Army Pictorial Center in NY. His CO was Arthur Rothstein, who was well aware of Brett and his father. It was while at the APC that Brett did his New York work with the permission of, and encouragement from, Rothstein.
Twenty years after Brett left the Army Pictorial Center, I was sent there on the day I completed infantry training in California. At that time (1964), the Army was starting to place personnel in areas reflecting their civilian skills. I was spared truck driving school, or worse fates.
Brett explained to me more than once why he preferred Agfa films to Kodak's. Both brands were good, but he preferred Agfa because the box has a flap. Yes, you heard me right. You can put the exposed film back in and the flap closes down inside the end, whereas Kodak has straight end flaps that are just glued closed, and after you open the box, there's no flap there to reclose the box. You would need to carry some tape with you to reclose the Kodak boxes.
That's it.
Aaron Dygart,
Honolulu
Aaron, beautiful photographs on your site.
I'd also recommend to other APUGgers to check out the images of Brett Weston working in the field along with some wonderful recollections at Dead Link Removed. Click on Portfolios and then Brett Weston.
A wonderfully touching thread. JK
Yes, we exhibited in a group show at the San Francisco Museum of Art in 1954. At that time, Milton was experimenting with Kodalith, tone-line, and solarization. He continued with photography and became one of the the top advertising photographers in the area from his studio in San Francisco.Do you know Milt Halberstadt?
Tim, sending you PM now.
Yes, we exhibited in a group show at the San Francisco Museum of Art in 1954. At that time, Milton was experimenting with Kodalith, tone-line, and solarization. He continued with photography and became one of the the top advertising photographers in the area from his studio in San Francisco.
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