Theo Sulphate
Member
At least with box cameras the film was held tight in the focal plane by tension from both spools across the molded aperture.
With 110, the feed side of the film was just coiled in the chamber and there was no pressure or tightness keeping the film flat at the focal plane. 126 may have had the same design. I wish the design had been better.
Compared to the typical 127-film box camera, it seems that Kodak's introduction of 126, 110, and disc were successively lower in quality.
With 110, the feed side of the film was just coiled in the chamber and there was no pressure or tightness keeping the film flat at the focal plane. 126 may have had the same design. I wish the design had been better.
Compared to the typical 127-film box camera, it seems that Kodak's introduction of 126, 110, and disc were successively lower in quality.