The shutter is 1/50th a sec or should be and the apertures are f16 f 32 and f 64.
Nice photos for something so basic,Thanks for the info everyone ,much appreciated. I may try to use a similar design in the future for a pinhole camera. Once I have some film and have had it processed I'll post up the photos on here. next time round I may even process it myself.
Does anyone know what ASA/ISO the original film would have been ? I would like to stick to as near as I can what the camera was designed for as a starting point.
Does anyone know what ASA/ISO the original film would have been ? I would like to stick to as near as I can what the camera was designed for as a starting point.
also remember the prints would have been contact prints on azo made at a drugstore at some pointDoes anyone know what ASA/ISO the original film would have been ? I would like to stick to as near as I can what the camera was designed for as a starting point.
I have done contact prints on both Azo and Velox but Kodak (and others) made another paper for photofinishing that was a sort of self-masking DOP, GAF Monodex and Kodak Velox Unicontrast (see Photographic Facts and Formulas, 1975,`Wall, Jordan,`and Carroll, p. 204).also remember the prints would have been contact prints on azo made at a drugstore at some point
the negatives would have been higher contrast than what people aim for today contrast ...
I did a Video on my Brownie Box -- you can see it here :
I have done contact prints on both Azo and Velox but Kodak (and others) made another paper for photofinishing that was a sort of self-masking DOP, GAF Monodex and Kodak Velox Unicontrast (see Photographic Facts and Formulas, 1975,`Wall, Jordan,`and Carroll, p. 204).
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?