I used Rodinal as first developer and as second developer. One has to push a little for enough contrast, I did 1+20 to 1+50. Times need to be determined with samples.
True reversal films with blended emulsions (an ortho- to panchromatic for the taking and a non-sensitised one to form the positive image) are best processed with more contrasty (paper) developers. Fomapan Reversal 100 responds nicely to classical Hydroquinone-Metol and Hydroquinone-Phenidone formulae. I derived my house formula from the thousands of feet of Fomapan R 100 that had to be processed. I gave it 30 g of sulphite per liter. Sodium sulphite eats on silver salts, which is mostly silver bromide, so by balancing the time of first development against the amount of pictorial salts degraded one can define overall density, contrast, and yield in speed.
Fomapan R is the only true reversal film left on the market. Agfa-Scala was another one with the difference of a pyrolusite subbing where Fomapan R has a silver undercoat, in a very thin layer, of course. The best such film I know was Agfa Dia Direct, successor of Gevapan 26 if not the same thing. Nothing compares to the brilliance of a good diapositive.