What I find interesting is that the high sensitivity layer is on top of the low. Maybe whatever attenuation (shading) that exists is not significant.
There have been a number of dual ingredient films, not all of them fast, and not necessarily dual-layer. I've never heard of HP5 in that classification. I seem to recall that the now-extinct Fortepan 400 was a dual-layer film; I tried it once and wasn't exactly thrilled.
Fuji Acros is apparently a mixed emulsion of two different grain types.
I thought HP5 was also made up with two grain types...One fast one slow. Mixed together in the same emulsion, I do not know... and what type of salt? Bromide? Iodide?
It's logical that the top layer would be the faster layer. You'd want to limit attenuation of incoming light for that layer, specifically. Putting a fast layer at the bottom is somewhat antithetic, especially in a monochrome film package.It must matter. I'm sure it would have been tested. I wonder which layer is made up of silver iodide...
Interesting. Thank you, Matt. I imagine then that HP5 has duo emulsions with varying grain sizes but the question remains, are they combined into one or laid down as two, like Bergger Pancro 400. I appreciate Bergger sharing this aspect publicly.
ОRWO P400
View attachment 382943
Incidentally for anyone interested in the ins and outs of making film, Robert Shanebrook’s Making Kodak Film is a must-have reference. There are two editions - both great but the second one is greatly expanded.
Among other things there are cross section micrographs of various films showing the layers.
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