Depends on which back you have for 9X12cm, but budget friendly model Speed or Crown Graphics with lock backs that will take the graphics backs. If you are looking for a true view camera then a Graphic View II, make sure it has the tripod attachment. If budget is not that much of a concern then you have many choices. So do intend to shoot in a studio or in the field?
By budget friendly I mean ideally something under $500.
Is this budget for a camera only or for the entire system? This actually was the first thing I had to learn: what a complete large format system consists of.
The cheapest will be an older monorail like the Graphic View II mentioned above or a Calumet. Often you can find these for a couple hundred dollars. They are full-featured and fine performers (I still have and use my first 4x5, a Graphic View II).
If you don't want a monorail, but prefer a field camera you'll need to spend more, most likely. There are metal folding cameras from Wista and Toyo that are popular and (my preference) wooden folding field cameras from Tachihara, Wista, Horseman, etc., etc.
If you want a press camera (usually more limited movements, but serviceable too) look for used Speed or Crown Graphic cameras, or other similar brands. These come with a rangefinder for hand-held use as well, but need to have cams for the lenses being used and need periodic calibration.
Really, your first task should be to decide which type of 4x5 view camera you desire. Do you need a lightweight folder for field work or will you be using a monorail doing studio and indoor architectural work, etc.
Best,
Doremus
budget friendly model Speed or Crown Graphics with lock backs that will take the graphics backs. If you are looking for a true view camera then a Graphic View II, make sure it has the tripod attachment.
I'll make a different suggestion: as you already have a 9x12cm camera, why not order a few boxes of film from Europe where that is a standard size and shoot the camera you have some more. That will give you a better idea of the cameras limitations and you can refine your "must have" list of features for the next camera.
Fotoimpex lists a number of 9x12 films, the Adox and especially Foma are reasonably inexpensive. By the time you've gone through a 50 sheet box you should have a better idea of what you want and what you don't need.
Films Sheet films - fotoimpex.com analogue photography
ADOX CHS 100 II (4x5) 10,2x12,7 CM (4x5 INCH) / 25 Sheets, ADOX CMS 20 II 10,2x12,7 CM (4x5 INCH) / 25 Sheets, BERGGER PANCRO 400 10,2x12,7 CM (4x5 IN ...www.fotoimpex.com
In my case the budget for the full system consisted of:My initial thought was for a full system( (lens and a functioning camera+back) but I may not fully understand what that means based on what I've researched. If you are able to clarify that is greatly appreciated.
I tried to use t-shirts instead of a purpose-built dark cloth but that was a nightmare,
Interesting list, I have some items, or at least similar items, already. I primarily would need the loupe, camera body+holders, and lens+board.In my case the budget for the full system consisted of:
I tried to use t-shirts instead of a purpose-built dark cloth but that was a nightmare, and my 10x film inspection loupe was a horrible fit for LF focusing. Also, I severely underestimated the pain of loading film in my small bag, so I had to spend extra on a tent. On top, I had to more then triple the number of film holders from 3 to 10 fairly quickly.
- A camera body
- Lens + board
- Film holders
- 2500 series JOBO tank and a sheet film reel
- Dark cloth
- Focusing loupe
- Film loading tent
I am also struggling with my existing backpack which doesn't accommodate my LF gear easily, so that's another expense for the near future.
The Intrepid is a lightweight camera that can be bought brand new for well under $500. Gfaflock accessories can be used, but sorry I don't know anything about the 9x12 back mentioned above.
Another suggestion: an old 9x12 Linhof Standard or even a 9x12 Technika. Both are very small and light and you can turn the back on both. I got my Standard with 3 usable lenses for well under 500€ https://www.oddcameras.com/linhof_standard.htm a couple of holders included. And yes, 9x12 film supply isn't a problem in Europe.
The Speed Graphic has a focal plane shutter, if still in working order and without light leaks can be useful as barrel lens (lens without shutters) can be used. The Crown came without the focal plane shutter and is lighter. Early modes have the rangefinder mounted on the side, later models on the top. The rangefinders are matched to a given lens. I have a 1952 Montgomery Wards Photography catalog which offers the Speed and Crown from lens ranging from 127 to 210mm. Most common are 127 and 135 which are a bit wide for 4X5, when used a press camera the thinking was to go wide and crop in as needed for the final image for printing. The last Speed did not have have focal plan shutter, the leaf shutter on the lens was really fast for lead shutter some like 1/1000 or 1/12000 of a second. All metal body. When Singer sold off it's photo line Toyo bought the Speed line and rebranded it. I have both a Speed and a Crown, along with a Brand Newview view camera, I use the Crown more than the others, light easy to carry in the field, can she shot hand held or on a monopod with the rangefinder. I generally do not use a lot of movement.
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