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Best 35mm FD lens for Canon

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5stringdeath

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35mm
So in your collective infinite wisdom, what is the best 35mm prime lens I could stick on my Canon AE-1 .... Between all my different camera bodies, I am lacking a good 35mm lens so figured I'd stick one on the old girl, as she's freshly CLA'd and wanting work :D

Canon or 3rd party, doesn't matter to me .... I love good contrasty lenses though.

Thanks!
 
canon 35mm f2 in any of it's versions is hard to beat. The earlier ones are supposedly sharper. I had a late one which was absolutely stunning. In my mind you can't go wrong with any of them.
Regards
Mads
 
I had the FDn 35/2 and recommend it very highly. It was one of my favorite lenses when I had it. I sold it only because I wasn't shooting so much 35mm any more and was using medium format for the kinds of subjects I'd otherwise shoot with the 35/2.

Eventually I got a Zeiss 35/2 Distagon in ZS (M42) mount, which I think is an even better lens (sharper, great bokeh, though the FD 35/2 also has nice bokeh), if that's in your budget, and you'll be able to use it with almost any 35mm SLR camera body as well as the ones that we don't talk about on APUG.
 
I have a 35/2 breach lock with the concave front element. It is super sharp, and the contrast is super high across the aperture range. For me it is actually has too much contrast for some general work, in that at larger apertures it has such a 3d popping effect that the isolated subject looks cut out and glued on. Really, a precision tool that must be used with care and consideration with much potential.

I would like to try one of the newer 35/2 in bayonet, thinking it might have the smoother look of the 50/1.4.
 
I have a 35/2 breach lock with the concave front element. It is super sharp, and the contrast is super high across the aperture range. For me it is actually has too much contrast for some general work, in that at larger apertures it has such a 3d popping effect that the isolated subject looks cut out and glued on. Really, a precision tool that must be used with care and consideration with much potential.

I would like to try one of the newer 35/2 in bayonet, thinking it might have the smoother look of the 50/1.4.
I have all three of these lenses and the later FDn 35mm f2 indeed has the smoother look of the 50mm f1.4, the original breech lock chrome nosed 35mm f2 concave front element Thorium lens would have been an "L"lens I.M.O but pre dates them by quite a few years, mine as made in 1971.
 
I have all three of these lenses and the later FDn 35mm f2 indeed has the smoother look of the 50mm f1.4, the original breech lock chrome nosed 35mm f2 concave front element Thorium lens would have been an "L"lens I.M.O but pre dates them by quite a few years, mine as made in 1971.

Does FD"n" mean "new" as in the all black lenses?
 
Yes, the new type bayonet mount ones with the plastic barrels.
 
If you can swing it, find an FD 35/2 (the newer black one) in the best condition possible. You'll be glad you did; it's a fine lens to use. I too, used an AE-1 for years and years. Recently, I found an immaculate F-1N (w/AE finder). The 35/2 is lens I use most often with it.
 
Posted wirelessly..

The f2 is better than the f2.8, but the 2.8 is the most compact lens in the FD line.
 
Well I believe you that the F2 is better, but where/when can you see the difference on a computer screen or A4 print?
I agree you probably can't on a monitor or an A4 print, but I don't own a scanner or make ink jet prints I shoot slides and project them on a 50"X50" screen and I can, if the O.P had asked "which is the best value for money , I would have replied the 2.8 lens, he asked "which is the best ?".
 
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I agree you probably can't on a monitor or an A4 print, but I don't own a scanner or make ink jet prints I shoot slides and project them on a 50"X50" screen and I can, if the O.P had asked "which is the best value for money , I would have replied the 2.8 lens, he asked "which is the best ?".

Ah the best? Distagon, Nokton, with adapter :wink:
 
How about a good short-range zoom? I have the 20-35mm f3.5 L which is attached to the front of my F1-N 95% of the time. I also have the 24mm f2 and 35mm f2.8 (which although not the quickest, seems very sharp). S'pose it depends on the intended target but there's a lot of good stuff out there. Difficult to get it wrong....
 
How about a good short-range zoom? I have the 20-35mm f3.5 L which is attached to the front of my F1-N 95% of the time. I also have the 24mm f2 and 35mm f2.8 (which although not the quickest, seems very sharp). S'pose it depends on the intended target but there's a lot of good stuff out there. Difficult to get it wrong....

Nope, i'm a prime lens kinds person. Never met a zoom I liked.
 
How about a good short-range zoom? I have the 20-35mm f3.5 L which is attached to the front of my F1-N 95% of the time. I also have the 24mm f2 and 35mm f2.8 (which although not the quickest, seems very sharp). S'pose it depends on the intended target but there's a lot of good stuff out there. Difficult to get it wrong....

...or cheaper is the Tamron SP 28-70, which is very good, and indeed it's difficult to get it wrong as:- the computer screen, consumer printers, Photoshop and add ons, scanners, have equalised the results from many lenses.
 
Andrew the FDn is a very good lens I have owned and used one for more than fifteen years but since I got the Chrome nosed 35mm f2 Thorium lens I have never used it, and I also have the newer FDn 35mm f2 and aperture for aperture the chrome nosed lens ,(mine was made in 1971) outperforms all of them .
 
The 800/5.6L goes for ~$1k.

Not quite the lens youre after... but its a unique oppurtunity to have such a high quality and fast supertelephoto inexpensively.

The rear barrel could also be shortened if you ever wished to convert it to other mounts.
 
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