Is the failure mechanical or in its electronics - or both?
Nikon F4. By far is the best 35mm imho
Well, the 35 mm camera I find most fascinating is Rolleiflex 2002/3003. A daring unorthodox design with fanatical attention to detail and execution. Unfortunately it's not only expensive, but pretty rare as well so, I gather, trying to complement a kit from scratch today will prove both haemorrhaging and an exercise of frustration.
There was an article by a photographer many years ago who bemoaned the fact that Pentax were dropping their Spotmatic range. She had become so in tune with her 'Spots that she could tell what shutter speed and aperture they were set at by the feel of the dials and without taking the camera from her eye. That intuitiveness was a product of the cameras of the era. Most people didn't familiarise themselves with their equipment to the same degree, which lead to AF, matrix metering, sub-menus and the rest of the tricks that made cameras more user friendly to the masses, but encourages less intimacy compared to those willing to put in the time on a manual camera.
In this 'post-film', GAS-rich time the chance of building the same relationship with one piece of equipment is less. The compromise I favour are manual focus, lightweight bodied SLR cameras with modern battery systems, late 70s/early 80s stuff fits the bill.
There is also the Rolleiflex 3001, which is a "budget" version of the 3003. It lacks the waist-level viewfinder and a shutter release for vertical shots. Otherwise, it's a pretty cool camera and can sometimes be less expensive than the 3003.
Well, the 35 mm camera I find most fascinating is Rolleiflex 2002/3003. A daring unorthodox design with fanatical attention to detail and execution. Unfortunately it's not only expensive, but pretty rare as well so, I gather, trying to complement a kit from scratch today will prove both haemorrhaging and an exercise of frustration.
2002? I only know of the SL2000 and the 3000 series cameras.
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