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Beginner having trouble printing

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Paul.

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Just thought I would mention that few, if any of us got good prints from our early printing sessions. I think that following the advice given here you will start to get acceptable results soon.
Let us know how you get on.

Some of us still dont get many good prints though fair to say the more you try the better you get.

I use a lot of the satin finish paper and love the finish. I develope it in Ilford warmtone dev for 3 mins (max warming effect), compared to the pearl finish it seems to be half to one grade softer but I am still getting to grips with the new enlarger so dont take that as gospel.

I will add my voice to Dave's about following the advice given.

Regards Paul.
 

pentaxuser

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I think you mentioned that you didn't use a filter when answering David. If this is VC(variable contrast) paper then without a filter the paper acts like a grade 2 paper. Maybe the neg needs a grade 3 or 3.5 paper to bring out its best. If you expose as grade 2 but it really needs grade 3.5 then the print will look soft and grey overall and lacks punch which might be disguised until it dries

So if it is VC paper then get a set of filters to enable you to set the correct grade. All of what I and others have said will be contained in a darkroom handbook. I'd get one asap

Glossy does have a punchier look on a grade for grade basis but if it's exposed at the wrong grade then even glossy will look flat and grey. To avoid fingerprints I'd use a reasonably generous border on the print. Pearl and Satin do not suffer from fingerprints to anything like the same extent and suit some subjects better but initially get the grade and the look right or as you want it then take your time about longer term decisions on paper surface.

pentaxuser
 

srs5694

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So if it is VC paper then get a set of filters to enable you to set the correct grade.

Some enlargers have built-in filters that can be used for adjusting the contrast of VC papers, obviating the need for a separate filter set. Color enlargers have cyan, magenta, and yellow filters, and you'd use the magenta and/or yellow filters to adjust VC contrast. A few enlargers have just the magenta and yellow filters. A few others use red, green, and blue filters in an additive arrangement, which is equivalent to using the subtractive cyan, magenta, and yellow filters.

In any event, pentaxuser is quite correct that filters will help you get the correct contrast out of a VC paper, but you may have several filter options, depending on your enlarger. If you need more help on this score, post details about your enlarger, including its model and descriptions of any knobs or dials you see that might be filter controls.
 
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