John Glenn brought the original Hi-Matic with him, as the first consumer camera in space.
John Glenn brought the original Hi-Matic with him, as the first consumer camera in space.
My 7S is an excellent camera. I get accurate exposures using a 675 hearing aid battery and this adapter: https://www.paulbg.com/Nikon_F_meter_batteries.htm The battery will last if you remove it and cover the holes on the + side with scotch tape.
The Konica S3 has a 38mm F1.8 and has a cemented pair in the viewfinder. On the one I had: cement became cloudy. The Minolta 7S-II has a 40mm F1.7 and viewfinder allowed to get to all surfaces to clean.
I had a fixed-output flash for the HM9. It worked well, I bought the camera when I was 11 years old. Shot a lot of slide film with it. Worked for Me. Thyristor flash was not around yet. When it was: I bought a Vivitar 283 in 1976, for the Elvis concert at the Capital Center.
BUTKUS probably has the manual on-line -- apparently you don't have one.
If you are talking about the 7s -- as I was -- the manual is right there:
https://www.butkus.org/chinon/minolta/minolta_hi-matic_7s/minolta_hi-matic_7s.htm
The focal length and f-stop ratings are so close as to lie within the bounds of fudgery, especially for consumer “point and shooters”.
It might still very well be the same lens, despite the slightly different specs.
A cemented finder sounds unusual. Isn’t it just layered class plates?
Do you still have the Elvis photos?
I still have the Slides of Elvis. Used a 200mm F3.5 Vivitar on my Argus/Cosina STL1000. I need to use a slide duplicator for them. I found them recently, was 18 when I took them. Great concert, took my High School Girlfriend and her Mother to the concert. Her Mom was sad when we broke up.
I was disappointed to see the fogged elements in the S3 finder. I have taken apart the finders of many Retina IIc and IIIc finder to clean the "glass/mask" stacks. The Konica was different. I sold it, kept the 7s-II.
And you can buy tiny, solar, button-cell battery rechargers for the mercury cells.
I grew up shooting when GN arithmetic was the only thing available. Having flashmetered electronic flash, generally speaking GN are virtually always optimistic, and along with a number of others who did the research and published our results over a decade and half ago, electronic flash GN tends to be 1EV optimistic compared to flash meter readings.
Having grown thru photosensor flash and TTL film flash and now nTTL flash systems, I find the least reliable of all of them is nTTL...sometimes it flashes on full power spontaneously, even with a tripod-mounted camera with flash in hotshoe! Today I often put the flash unit on photosensor automation rather than the unpredicatability of nTTL. When nTTL works, it works well for exposure; it simply does not always work! In comparison, photosensor auto and film TTL are quite reliable. I have gotten shots with TTL that would have fooled photosensor flash.
It is hard to criticize such a sweet photo, but what would you have done if you were to bounce the flash?With the Minolta Hi-Matic 9, fixed-output electronic Flash and the GN system of the camera. Kodachrome.
Christmas, 1972 by fiftyonepointsix, on Flickr
Taken in 1972, I was 15 when I took this. Hard to think of my Nephew being over 50.
I could not have manually set the F-Stop in time to get this expression. I've had this camera since 1969. Sits next to my Black Nikon SP.
I was 15, and Flashes like the Vivitar 283 were several years off.
Plus- I mowed a lot of lawns to be able to afford the simple flash that I used and the $80 for the Minolta HM-9.
Sure- if I had a time machine, with the equipment that I had years later plus the experience to use bounce flash: the colors would not be so harsh! And I'd use high ISO and a Fast lens, no Flash.
These days- fast film, I tend to shoot wide-open and not use the flash. Those days- Kodachrome-X was ASA 64.
Where? Never heard of that. Do you have a link?
regards,
chris
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