Yeah, they were overly optimistic at the start. Almost daring Fate to kick their butts - and she did. Still, that doesn't change the basic nature of a Kickstarter project. You do not purchase a good; you donate money to a project, and the people running that project have a moral obligation to do their honest best to reward you for doing so. As previously explained, the Ferrania folks have done, and are doing, their bit. The originally offered reward never materialized, and thus couldn't be given, so they did what the Kickstarter rules says they should do, and worked out another way to reward their supporters.
I think I'm most intrigued by the relative scale of things, here: we have this little team of enthusiasts in Italy who are investing years of effort to build a working film factory, and, little by little, succeeding - and then we have all these people whining "boo hoo, I threw a few dollars in the kitty, and I haven't gotten what I wanted out of it yet".
I think you've forgotten some details...
The original reward was to be color reversal film. This was offered because they had the chemicals all ready, and saw an opportunity for doing an early run of that product, using their lab equipment instead of the actual production machines we all chipped in to help save. The schedule for doing that broke - there were delays that went on until those chemicals could no longer be used.
So, back in February 2017, when the first rolls of P30 were made, every backer got an email offering them P30 instead of the originally promised film. Those who decided to go for that got discount vouchers for the Ferrania web shop, if memory serves.
I chose not to take them up on that offer. I'm still rooting for the Ferrania crew, hoping that they in the future will be producing both color and b/w film in several formats - and that I'll be able to display one of their first rolls of color reversal film, in its unopened packaging, on a suitable shelf in my living room.
Absolutely, I understand the inherent risks of a kickstarter and I'm fine with them. I've backed at least one that I recall that completely failed and I was able to accept that. Where they've lost me as a sympathetic person is that their communication has been awful and they have produced film. They've had challenges, sure. But they haven't failed. I can got to Freestyle's website and buy some this second. So I'd like them to issue the credit that they announced years ago.The thing to understand about ALL kickstarters--you are not guaranteed the "rewards". It doesn't really matter whether Ferrania made that clear or not--that is the terms of any donation to any kickstarter project. If you're not comfortable with that, I suggest doing what I do--wait untill it is an item in a store and buy it.
I think I'm most intrigued by the relative scale of things, here: we have this little team of enthusiasts in Italy who are investing years of effort to build a working film factory, and, little by little, succeeding - and then we have all these people whining "boo hoo, I threw a few dollars in the kitty, and I haven't gotten what I wanted out of it yet".
...I also object to the term donation. I make donations all the time to things I believe in, I don't donate to private enterprises. I see Kickstarter as more of an investment...
I just don't see it this way. They willfully entered into a reciprocal relationship with several thousand people and have completely failed to honor it. For a while they were attempting to keep people in the loop, but for the past several years their attitude has been a silent and implicit 'va f'an in culo.'
I also object to the term donation. I make donations all the time to things I believe in, I don't donate to private enterprises. I see Kickstarter as more of an investment.
Anyway, sorry for stirring the pot, I saw the thread, hoped there might be some new info in it. Got sucked in.
at the time of the Kickstarter, the kolks did metion that one of the two was a movie fan who owned a Movie Lab in Italy and wanted to have fresh 16mm reversal film available. P30 WAS originaly made in 16mm (as Negative) so it is quite possible that they have a R8 Perforating machine. Unless they start making and perforating some print film though they would need to work on a reversal film. (the original plan was to make Scotch Chrome 100, which would work well as a FAST Regular 8 Film.)I'd also really love to see P30 in 8mm film format, though I doubt that is on the cards.
wow, thats interesting to learn.Reading some of the atricles I looked up for the above post, when Imation sold it, there were 1300 folks working at Ferrannia, most of the time in the past while it looks like there were about 100th of that. Mind you the Big Coating building used to also make Magnetic tape, and quite likely also coated the media used into floppy discs.
the tape could have been rolled off on master rolls and sent to another building to have the calendaring and polishing required.Magnetic tape uses metal oxide particles and also requires a series of high pressure rollers at the end so im surprised they were able to do that on the same coater.
the original plan was to make Scotch Chrome 100, which would work well as a FAST Regular 8 Film.
regular 8 Negative might still be useful
at the time of the Kickstarter, the kolks did metion that one of the two was a movie fan who owned a Movie Lab in Italy and wanted to have fresh 16mm reversal film available. P30 WAS originaly made in 16mm (as Negative) so it is quite possible that they have a R8 Perforating machine. Unless they start making and perforating some print film though they would need to work on a reversal film. (the original plan was to make Scotch Chrome 100, which would work well as a FAST Regular 8 Film.)
On second thought, I guess that given that folks often scan film anyway, that regular 8 Negative might still be useful,
AFAIK building H had more than one coating line. There is a video on YouTube where they are coating inkjet paper and film.
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