Hello there, my name is Ian and I recently came into possession of a bach auricon pro600 camera adapted for magnasound along with its power supply and I have been looking around for a manual on how its used as I am fairly curtain it works but there are some peices missing.
I am just missing the microphone and the cord that goes from the powersupply to the camera and the cord that goes from the wall to the power supply
I think If I had a manual I think I could get it up and running by replacing a few things that are missing.
I have looked at owheeysound and while it is a good source of info its not the best for parts and structure.
If anyone knows where i could find a manual or has one that can tell me what i am missing as i can upload pictures of what i have.
Any information would be wonderful.
Seems nutty now, doesn’t it. The Auricon used the 60Hz to maintain enough speed accuracy for sound recording. The Auricon movement was very steady and quiet, it was the center of a whole bunch of highly portable magnetic sound-on-film conversions once crystal sync was invented to replace the mains signal. It was so popular Kodak even created VIdeo News Film to use in them. Years ago I had a CP16R conversion. Not as elegant as a sync camera like an Arri or Eclair, but it got the job done.A cine field-camera designed to take AC. What an idea...
A cine field-camera designed to take AC. What an idea...
There’s the possibility to convert to COMOPT from COMMAG.
It means to replace the “Filmagnetic” unit by the “Modulite” galvanometer.
https://archive.org/details/TNM_Auricon_Pro-600_Special_sound_camera_16mm_dou_20170908_0279/page/n3
If not up to direct sound recording, you could at least produce your own sound negatives for combined prints.
WOW
ok so If I am reading this stuff right.
The optical sound amp is gone entirely along with the circuitry to use it.
The lens on the front is missing the rest of it, which would explain why there is just a screw ring on it just floating there. and if i am right i can take this lens off though it seems to be pretty firmly stuck in place right now i may need some anti-rust maybe or I may need some extra elbow grease.
Canon plugs were used a lot on the 1950's and are fairly easy to find. You'll need the schematic to keep from hooking it up incorrectly and frying the electronics.I am missing the mains power cord which is a canon style 3 prong. I will look around for it I am sure at least one is out there.
Yah that's everything i got with it, just the camera, the no doubt 30 year old film inside of it and the portable power pack.
Now as for the power pack, I am an amateur electronics engineer which basically means i tinker around a lot. so when you say that inside it was a vibrating reed convertor good god i can only imagine how hard it would be to use such a thing and can see what you mean by nightmares.
Now I have another question. for the optical sound amp which I am assuming also required its own external amplifier. since it was stripped out of the camera would that mean it is impossible to put it back in if I found one. Or say i tried to make one.
I also had a few questions about some other stuff on the camera. In some of these pictures there is a piece mounted on top of it where I have nothing but what I guess would be poles for a carry strap. and in some of these books it shows a larger box on top with a carry strap there is this just an extra high piece to make carrying easier or does it serve a purpose.
On the back there is a cap over what, if I am understanding correctly is a lens mount for a side lens that would go parallel to the lens that is there in order to properly focus the image. however i don't need it because i can just get a c-mount dog leg lens.
The three pin canon plug next to the XLR plug...
Canon plugs were used a lot on the 1950's and are fairly easy to find.t.
I can always rely on AgX to correct my sloppy posts...I was quite puzzled by this. Until I realized you meant Cannon connectors.
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