I also tried a potassium ferricyanide - potassium chloride bleach, followed by ammonia, but it failed miserably.
@Raghu Kuvempunagar It's a rehalogenating bleach as far as I know. It even gives warmer tone when used in sepia toning compared to bromide.
Ferricyanide Bleach can´t work for bw reversal. It works well with CR though, since the image is formed by dyes and not silver in the end and all silver is removed by the fixer. The bleaching step is also at a different stage for that reason. The ferricyanide just oxidizes the metallic silver into silverhalides, and doesnt remove the silver. But that silver removal is prerequisite to bw reversal. Otherwise you´ll just get solarized negatives after redeveloping. And another thing: DO NOT MIX FERRICYANIDE WITH AN ACID! It will produce CYNANIDE GAS and you do not want to have that in your darkroom.
I think you're confused. The reason ferricyanide bleach works in C-41, ECN-2, and E-6 in place of the canonical EDTA or PDTA bleaches is because it rehalogenates, forming silver halides again which then fix away with thiosulfates or thiocyanates. The only reason it might not work in B&W reversal is if I misunderstood the solubility of silver chloride (formed by using a chloride donor in the bleach step) in ammonium hydroxide. What I recall reading is that silver chloride is and other silver halides aren't soluble in ammonium hydroxide solutions.
Easy to test -- we know ferricyanide bleach works, because it's used in bleach-redevelop processes. So, ferri bleach some developed film, until it returns to the milky undeveloped halide appearance (should be safe to do this under safelight without risk of printing out, because all the dyes for spectral sensitization were washed away in the original development), then soak the resulting film in ammonium hydroxide solution (couple bucks for half a gallon [= enough to cover 120 almost four times] at the supermarket, and ought to have some reuse capacity). I'll try to test it this upcoming long weekend, now that I'm done fighting with my computer. I'm pretty sure I have everything I need already in my darkroom -- if necessary, I can sub table salt for the potassium chloride.
@Raghu Kuvempunagar It's a rehalogenating bleach as far as I know. It even gives warmer tone when used in sepia toning compared to bromide.
What I recall reading is that silver chloride is and other silver halides aren't soluble in ammonium hydroxide solutions.
The obvious candidate of course is a copper sulfate bleach with sodium chloride added
I am not sure if precipitating the silver is the right outcome since I am not sure where it will precipitate—ideally not back onto the film—but this might be interesting in the current context @Donald Qualls .
I found this old text https://nvlpubs.nist.gov/nistpubs/jres/7/jresv7n5p913_A2b.pdf (page 925):
"Precipitation of Silver —As sulphide— Silver can be precipitated by the addition of ammonium sulphide to the cyanide solution. This procedure separates it not only from the cyanide, but also from ferrocyanide and metallic impurities, excepting mercury which also precipitates as sulphide."
EDIT: hmm, that looks like nasty stuff: https://echa.europa.eu/substance-information/-/substanceinfo/100.032.009
I can't tell if that also applies to aqueous solutions in low concentrations.
That, however, defeats the purpose of a bleach with a low hazard level. Copper sulfate bleach requires the same level of acidity, created by the same sulfuric acid, as dichromate or permanganate. It's less environmentally hazardous than dichromate, but more so than permanganate. Ferricyanide breaks down to Prussian blue on oxidation, which is insoluble and largely inert.
Based on college chemistry (was it really in 1978?) I'd expect the least soluble species in an equilibrium like this to precipitate, unless the more soluble was much more active. There isn't anything in photography much more electronegative than Cl- ion (we don't use F- much), and none of the silver halides are significantly soluble in water at reasonable pH -- so in a reaction with ferricyanide and chloride, I'd expect silver to convert to chloride (more active, less or similarly soluble). If this doesn't happen, there must be an energy consideration -- or silver ferricyanide is even less soluble.
My understanding, and with my experience in testing, is that ferricyanide is too capable of bleaching silver on it's own, specifically to a silver-ferricyanide compound of some sort.
Permanganate isn't too toxic (it's used for many medicinal purposes) but it is pretty hazardous, given it's extremely oxidizing nature. Copper sulfate is more environmentally toxic but also less stable.
Let's make a hypothetic scenario. You wash after FD and then use a sodium sulfide bath. You will then have a negative image made of metallic silver and a positive image made of silver sulfide. Wash again, then bleach in a potassium ferricyanide - potassium bromide bleach. This should convert the negative image to silver bromide, while leaving the positive unaffected. Wash again, fix, wash and you should have sepia toned positives. I know, a sepia toned image isn't evryone's cup of tea, but it seems to be the easier way around this. If you're only interested in scanning, then it doesn't matter at all anyway. As a side effect, your slides are more archival. That sasid, I don't know if the sulfide bath won't affect the negative image at all. It might have a slight toning effect on it, so I'd keep toning time to a minimum, which is almost instantaneous anyway.
I wonder if ferricyanide+chloride bleach is a true rehalogenating bleach like ferricyanide+bromide bleach in the sense that it converts most if not all silver ferrocyanide (formed by the reaction between silver and ferricyanide) to silver chloride. Could it be that the bleached image consists mainly of silver ferrocyanide without much silver chloride?
Let me try to explain based on what I understand. When a silver image is bleached in ferricyanide only bleach, the following reaction takes place:
4Ag (silver) + 4K3Fe(CN)6 (potassium ferricyanide) ---------> Ag4Fe(CN)6 (silver ferrocyanide) + 3 K4Fe(CN)6 (potassium ferrocyanide)
Silver ferrocyanide formed imagewise in the emulsion is insoluble whereas potassium ferrocyanide is soluble. Silver ferrocyanide is not very light sensitive but is redevelopable in a regular developer and gives a yellow-brown image on redevelopment. Also, silver ferrocyanide can be dissolved and removed by a fixer:
silver ferrocyanide (insoluble) + sodium thiosulphate -------> silver thiosulphate complex (soluble) + sodium ferrocyanide (soluble)
This is how a ferricyanide bleach of the non-rehalogenating type works.
When bromide is also present in ferricyanide bleach, it forms silver bromide by using up silver ferrocyanide in two steps:
4Ag (silver) + 4K3Fe(CN)6 (potassium ferricyanide) ---------> Ag4Fe(CN)6 (silver ferrocyanide) + 3 K4Fe(CN)6 (potassium ferrocyanide)
Ag4Fe(CN)6 (silver ferrocyanide) + 4KBr (potassium bromide) ------> 4AgBr (silver bromide) + 4 K4Fe(CN)6 (potassium ferrocyanide)
Silver bromide thus formed imagewise in the emulsion is insoluble whereas potassium ferrocyanide is soluble. Silver bromide is, obviously, light sensitive, and produces a silver image after light exposure and redevelopment. Further, silver bromide can be dissolved and removed by a fixer. This is how a rehalogenating ferricyanide bleach works.
Now, if chloride is used in a ferricyanide bleach instead of bromide, as @Donald Qualls wants to do, does the following reaction take place?
Ag4Fe(CN)6 (silver ferrocyanide) + 4KCl (potassium chloride) ------> 4AgCl (silver chloride) + 4 K4Fe(CN)6 (potassium ferrocyanide)
It's not clear to me whether such a reaction takes place. The two failed experiments reported by @Anon Ymous and I suggest that silver chloride is probably not formed when ferricyanide+chloride bleach is used. It would be nice to see some research study that discusses the rehalogenating properties of ferricyanide+chloride bleach. Does anyone know of a such a study?
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