B&W Reversal using a Chromogenic Process?

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ChrisGalway

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Has anyone tried B&W reversal processing using a chromogenic (black) dye process?

Might it offer any advantages (reduced grain?) or disadvantages? I note that Ilford XP2 for example uses a chromogenic process ... but it's a negative, not positive, process.
 

Donald Qualls

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XP2 Super is easy to reverse.

First, develop in any convenient B&W developer with a very little thiosulfate or thiocyanate added (this can be adjusted to get the final density you want).
Second, expose the film to light (still on the reel generally works) -- and give it lots of light, to be sure it's completely fogged.
Then run through a standard C-41 process. Result: slightly pink B&W slides. Shoot tests to get the correct EI, first developer fixing level, and first developer time.
 
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ChrisGalway

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XP2 Super is easy to reverse.

First, develop in any convenient B&W developer with a very little thiosulfate or thiocyanate added (this can be adjusted to get the final density you want).
Second, expose the film to light (still on the reel generally works) -- and give it lots of light, to be sure it's completely fogged.
Then run through a standard C-41 process. Result: slightly pink B&W slides. Shoot tests to get the correct EI, first developer fixing level, and first developer time.

Thanks for this info ...

I confess when I asked the original question I was thinking more in terms of any normal B&W film, and a reversal process analogous to Kodachrome but involving only one black dye. One of the problems of reversal processing is getting a good dark black and I thought that a dye might give an improved result.

But thanks again.
 

Donald Qualls

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If you could obtain a "black" dye coupler, that would work -- dye couplers from a color toning kit (combined with C-41 or RA-4 color developer) could do the job, but the color toners only come in single color, and mixing the toners would dilute the couplers and give a gray (it might be okay combined with retained silver, or it might not). But color toners for B&W prints aren't easy to find any more, either.
 
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One of the problems of reversal processing is getting a good dark black

Why do you think so? I can undertsand if DIY reversal didn't produce great results as it is very operator dependent but has anyone complained about either Scala process or Dr5 not producing a good dark black?

I was thinking more in terms of any normal B&W film, and a reversal process analogous to Kodachrome but involving only one black dye.

I would be interested in seeing your results if you take this route. IIRC @Ian Grant has posted useful info on dye couplers which might be helpful to you.
 
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Has anyone tried B&W reversal processing using a chromogenic (black) dye process?

Might it offer any advantages (reduced grain?) or disadvantages? I note that Ilford XP2 for example uses a chromogenic process ... but it's a negative, not positive, process.
You can run XP-2 through E-6.
 
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ChrisGalway

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Why do you think so? I can undertsand if DIY reversal didn't produce great results as it is very operator dependent but has anyone complained about either Scala process or Dr5 not producing a good dark black?

I've reversal processed Rollei Superpan 200 using the Scala kit. The results are quite nice but the blacks could be darker. (I use 120 size, and the Scala 50 film is not available in that size.)

As for Dr5, everyone says it was excellent, but the processing procedure still appears to be secret. (Is there any update on this I wonder?). Because it is said to work so well on all films, not just high silver content films, perhaps it uses a chromogenic process?
 
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