I have been following the thread on using stepper motors for emulsion making and have been rather surprised at the number of people who want to get into it.
I don't have the financial resources to do this type of work, but I would be willing to whip up some sort of 'manual' or 'tutorial' along these lines. I would also be willing to set up some sort of advanced workshop if anyone is interested and if we can find the equipment and lab to do it in.
I'm trying right now to locate a simple epoxy syringe with two plungers and two tubes to try a controlled delivery of silver and salt, as you have gotten my interest up on this. I could imagine it being done by hand even. I hesitate using one that has already had epoxide in it, as such a 'used' syringe may contaminate the silver or salt.
I've been sitting here running double run, pseudo control emulsion formulas through my head all afternoon thinking of ways to simplify this sort of make and how to automate it.
I've also been contemplating a large scale (1 KG) run of the Azo type emulsion using a heavy duty mixer that I have here. I've just never given a thought to making one that big and you have gotten me curious. It took me about 5 100 gram runs to get one that worked when I first started. Now it scales just fine, but I'm curious. I have always stopped at 600 G.
So, is anyone interested? If so, I may put some ideas down on paper, otherwise with just 2 or 3 interested, it will have to wait until I get a better film emulsion with my current formulas.
Just for starters, I'll throw out some intriguing ideas....
Make a small run, say 100 grams of a concentrated emulsion.
Dilute it with lots of gelatin and salt and then run in a second batch of silver in a second run over top of it for a total of 500 Kg.
This way you make your 'seed' emulsion, and then grow on top of it with totally different conditions. BTW, this is nothing new, but does take a bit more control and darkroom manipulation. It also moves us from the 20s-40s into the 50s-60s. I've been staying away from this type, as I was trying to duplicate the early century emulsions, but interest seems high enough in more modern makes so I thought I would put the idea forward.
Bigger batches and more modern (50s-60s) formulas are possible, and with simple control may be very interesting.
PE
I don't have the financial resources to do this type of work, but I would be willing to whip up some sort of 'manual' or 'tutorial' along these lines. I would also be willing to set up some sort of advanced workshop if anyone is interested and if we can find the equipment and lab to do it in.
I'm trying right now to locate a simple epoxy syringe with two plungers and two tubes to try a controlled delivery of silver and salt, as you have gotten my interest up on this. I could imagine it being done by hand even. I hesitate using one that has already had epoxide in it, as such a 'used' syringe may contaminate the silver or salt.
I've been sitting here running double run, pseudo control emulsion formulas through my head all afternoon thinking of ways to simplify this sort of make and how to automate it.
I've also been contemplating a large scale (1 KG) run of the Azo type emulsion using a heavy duty mixer that I have here. I've just never given a thought to making one that big and you have gotten me curious. It took me about 5 100 gram runs to get one that worked when I first started. Now it scales just fine, but I'm curious. I have always stopped at 600 G.
So, is anyone interested? If so, I may put some ideas down on paper, otherwise with just 2 or 3 interested, it will have to wait until I get a better film emulsion with my current formulas.
Just for starters, I'll throw out some intriguing ideas....
Make a small run, say 100 grams of a concentrated emulsion.
Dilute it with lots of gelatin and salt and then run in a second batch of silver in a second run over top of it for a total of 500 Kg.
This way you make your 'seed' emulsion, and then grow on top of it with totally different conditions. BTW, this is nothing new, but does take a bit more control and darkroom manipulation. It also moves us from the 20s-40s into the 50s-60s. I've been staying away from this type, as I was trying to duplicate the early century emulsions, but interest seems high enough in more modern makes so I thought I would put the idea forward.
Bigger batches and more modern (50s-60s) formulas are possible, and with simple control may be very interesting.
PE

) and sometimes give them away for free. I've often aquired one in this way to measure Rodinal.