BrianShaw
Member
... They really are thinking about lighting, posing, is that leaf getting in the way in a good or bad way, etc.
What leaf, a fig leaf?

... They really are thinking about lighting, posing, is that leaf getting in the way in a good or bad way, etc.
some people see porn in fruits and vegetables, others in trees
Guy went to psychiatrist and they perform some test:
Doctor draw a triangle and ask - what do you see?
-Naked women!
Then he draws a circle - asks again what do you see?
-Naked women!
Same answer to square. Then psychiatrist told him "you are pervert", and he answers - "you are drawing - not me"!
I wonder how many men who love to look at photos of naked women would jump at the chance to be seen totally naked on a public web site.
I've heard it said (I forget by whom) that the difference between art and porn is that porn has one purpose only: immediate sexual stimulation. Art is ambiguous - it may or may not have immediate sexual stimulation as a byproduct, but that is not the primary or only intent of the piece.
Please try googling
Christinia Copenhagen
.
i have seen what some might call hardcore porn billed as art / fine art by the maker
and later i am SURE they were sold through galleries as "fine art photography" ...
in my one farsighted, one nearsighted eyes, a pig wearing lipstick is still a pig... no matter how it is dressed-up...
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But when viewing something like the picture by Herb Ritts - Fred with tyres, I can more appreciate the artistic merit.
Well, you all know my attitude to it by now. I have no problem with it in just about any form (pedophilic porn being the obvious exception). But getting back to the original subject, I think there is something essential about the nude in art: we NEED to have it because it serves to expose raw truths about us as humans - there's no hiding behind clothes or costumes. Literally stripped down to the absolute minimum, anything included in a nude must be there for a reason, either as a signifier or a distraction.
How well said!
Frankly, the world does not need more pictures of pretty girls without their garments. And the nude in art would seem a desperately tired genre that has run out of things to say. But amazingly it isn't so in at least two ways.
The nude remains an eternal metaphoric space in which aspects of the human condition can be explored and commented upon. The unclad figure, taken out of humdrum context, becomes every-man or every-woman at any time or at all times. If you have a broad visual statement to make about humanity, uncluttered by the here-and-now, the particular, and the picayune, then the nude is what you should use.
It is a blessing born of long tradition that most people are familiar with the nude in art. They can accept the surface view, "this is so and so with their clothes off", and then pass beyond to read the underlying message. The tension between the nude as carnal and the nude as sublime has existed for a long time. Praxiteles (4th Century BCE) knew this when carved his Aphrodite for the city fathers of Knidos and employed his mistress, the famous courtesan Phryne, as the model. The city fathers were embarrassed (some knew Phryne "commercially") and grumpy but they paid Praxiteles fee and the statue became the most famous Aphrodite ever. Photography can likewise celebrate the clash between eros, as felt, and logos, as thought, and it can do it with wit and wisdom.
The second celebration of the nude that will never run dry is celebration of real beauty for its own sake. I think of "What a piece of work is man... Hamlet, Act 2, scene II" and assert that if we cannot admire our common humanity at its best then we fully deserve the miseries of body-denying asceticism. Heaven forfend! Beauty beyond the cliches of fashion and celebrity is everywhere and everywhere fading. The photographer's tout accosting women in the street with "C'mon luv have yer pitcher done. You'll never look more beautiful than today" spoke more truth than he knew. The ancient tombstone inscription "As you are now so once was I. As I am now you soon shall be" is grimly true as well. It is absolutely legitimate to use the photographic time machine to capture beauty in the here and now, a face, a nude, a body asserting a sentiment carnal or chaste, and defend it against an uncaring past and an uncertain future.
It is no fault of the nude that many (most?) people first encounter the nude "other" in sexual situations and become fixated on the equation between nudity and sexuality. This too is worth exploring, rejecting, accepting, or transcending through art. And that includes the art of photography.
wow - this is where I feel being very Danish: I don't understand most of the above... which I can understand is a shame...
yes - but isn't it about how you depict it?
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