DREW WILEY
Member
- Joined
- Jul 14, 2011
- Messages
- 14,041
- Format
- 8x10 Format
Even with pigment prints a lot of the "archival" issues are not with the pigments per se, but with the
long-term integrity of the sandwich. Kinda like what will happen first with house paint - will it blister
and peel before it fades?? Color carbro prints seem to develop such issues. I never personally cared for the look of pigment prints derived from halftone processes (looked too much like offset printing), but some of the handmade ones can be magnificent. But I'm extremely suspcious of any claims of
a C-print staying clean for two hundred years; and the whole extrapolated "accelerated aging" of
current inkjet work again fails to take into account the long-term integrity of the pigment/substrate
bond. At least with Cibachrome, we have a number of decades of actual history, as well as a feel
for how improved C-prints like CA will perform. Just too many variables out there.
long-term integrity of the sandwich. Kinda like what will happen first with house paint - will it blister
and peel before it fades?? Color carbro prints seem to develop such issues. I never personally cared for the look of pigment prints derived from halftone processes (looked too much like offset printing), but some of the handmade ones can be magnificent. But I'm extremely suspcious of any claims of
a C-print staying clean for two hundred years; and the whole extrapolated "accelerated aging" of
current inkjet work again fails to take into account the long-term integrity of the pigment/substrate
bond. At least with Cibachrome, we have a number of decades of actual history, as well as a feel
for how improved C-prints like CA will perform. Just too many variables out there.