David H. Bebbington
Member
But at least Charles Saatchi got some concrete artworks for his money - notwithstanding that you may not like them (I do). Of course some artists are willing to do ANYTHING to get a reaction, but there's a very clear law of diminishing returns. I feel the role of the MODERN artist (20th century to roughly 1945) was to be shocking, in the post-modern era, when all rules have been broken and some have been virtually obliterated, I am more looking to artists to be shamans or providers of spiritual guidance and inspiration.Andy K said:But isn't that the purpose of art, to provoke a reaction in the viewer? It does not say anywhere that that reaction has to be positive.
I could say the same for the millions the Saatchis have wasted on crap from Emin and Hurst.
I think personally I got over a desire to shock as the result of observing what I call the penis syndrome in the 1960s, by which any art student too lazy to have done any serious work during his course could at the last minute produce some images or representations of penises in the sure knowledge that someone would object, allowing the said student to pose as a persecuted genius and enjoy a "succès de scandale." This cheap trick soon wore very threadbare.
Just to pick up on a couple of points by Art:
1) I sincerely hope the money was fake. Any artist who has £1 million and can't think of a wondrous project to do should give up pronto!
2) Publicity/art/fame. I think this was the area in which Andy Warhol made his strongest statement. In the 1960s, I though Warhol was just a user of other people, on returning to his work lately I really feel he has something very interesting to say - dealing with questions such as: Is the purpose of art to be famous? Is being a celebrity an art form? Is being famous a heightened form of existence? In the light of recent developments (not least, reality TV shows), I am beginning to regard Warhol as a prophetic genius!
Regards,
David