Could you please lost a couple photos? I'm very curious to see such a beast
I used the Ektaprint 300 developer when it was the standard. I haven't used the 16k yet. The Model 11 works great with RA4. I have a rapid process for Black and white (RC) as well that includes a Se toner step. Takes about 4 min. on the machine. I have 4 model 11's that I have picked up over the years two with the Simmons heater, 3 serve as back up. I'm still using the one I bought new with the heater in 1973. I had occasional problems in the old days. RA-4 seems fool proof. You would know but there is real genius in that process. At 95F you can develop in 45 seconds, but if you leave the print on the machine for twice that long there is no discernible difference, it just develops to completion. If I had all the paper exposed I could develop a 11x14 every 5 minutes easy. With Thomas safelights closed down with the color filters you can see just enough. No real need for safelights though. Bert Miller had a good suggestion put the paper on the machine while it's running with WATER in the tray, this gives you a no worries approach to getting the paper on in time. When you are ready for the developer, just dump the water and pour in the developer.I worked in the department that developed the model 11 and inspired the 16. They did need a revamped color developer, so I am curious about how they work with RA4 paper. With a normal developer, there was severe bromide drag and bubble marks on the leading edges as well as overdevelopment of the top layer. This was overcome by several changes to the EPC developer to rematch the 3 layers.
PE
Yes, It's one of my favorites
You are correct, I have the fiber paper blanket and green "RC" blankets. I'm looking for a formula of a coating I can roll on the net to improve "grab" I may try the miracle Flex Seal the pitchman on TV uses to make a boat with a screen door, HA!I briefly used a Model 11 in the 70's. As I recall, an "improved" blanket was introduced that had some kind of green rubber like coating made so the blanket grabbed the prints a bit better. Maybe that blanket came along about the time that RC paper was starting to show up?
Do you recall what the green coating was that was used to increase the grip of the blanket for RC paper? There are several "consumer" products. Flex Seal is a "rubber" claims to be a moisture cure. I'm thinking some sort of polyurethane coating? I have found a source for the netting it looks identical, I just am trying to figure out a coating that will be chemical resistant etc. This is a labor of love. I'm trying to keep a working museum of analog darkroom technology.Oh dear, you have one of the early ones. The later processor designs were totally different. I'm glad it works with RA4. The processes and papers are totally different.
PE
Do you recall what the green coating was that was used to increase the grip of the blanket for RC paper? There are several "consumer" products. Flex Seal is a "rubber" claims to be a moisture cure. I'm thinking some sort of polyurethane coating? I have found a source for the netting it looks identical, I just am trying to figure out a coating that will be chemical resistant etc. This is a labor of love. I'm trying to keep a working museum of analog darkroom technology.
Best Regards, Mike
I remember that the green coating was referred to as "Teflon" way back when I first got my model 11, I have plain no-green (Fiber base) original and then the green coating on one side was supposedly Teflon. It sure would be chemical resistant. I found a liquid air cure "rubber" coating I'm going to experiment with. It looks pretty good with the plain white polyester netting.Sorry, but I don't even remember a green coating. Our blankets were white and our drums were experimental with no diamond bumps. They used special teflon coated strips.
PE
Those are just the tip of the Iceberg, You should see my boxes of Negative pencils.By the way Mike, do you think you have enough stirring paddles?
This brings back fond memories of my first two years at photo school, two people per room, just bigger than a room closet, Chromega enlarger with storage underneath, and a K 16 in a sink, we really could pump out the prints with this unit.. I am really surprised home darkroom workers have not tuned into this great machine.I fired up the Beast today! works lie a champ. Picture is from a roadside display of big round bales of straw, ANF Minion, (ANF, America Needs Farmers). 4 minutes on machine, 38 seconds through my rescued Ilford dryer. Machine is ready for next print as soon as one comes off. No cleaning or drying tubes. If I had a two person crew I think I could turn out a print every 6 minutes. Best Regards, Mike
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