JoeyAnchors
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I use RC to make working prints, then print on FB for final prints. I keep Foma grade 2 and 3 on hand, along with Ultra Fine grade 3, the only FB paper they carry, not sure who makes it, seems to have a different tone than Foma. In the past I also printed on Salvich 2, like the SW for mounting. In the near future I am going to order Oriental VC FB, and I may take a chance on ordering some Salvich and see how long it takes B&H to deliver. In my freezer I have Galleria grade 1, no longer in production, a box of Efke VC and a packet of Kodabromide grade 3. I don't often need grade 1 paper, the Efke and Kodabromide will come out this winter.
For a 1940 look you might to order some Slavich from B&H, it is very old fashion, I think it will have great 40s look.
PDH - thank you for the paper info! I will be looking into some Slavich. That being said.. How long does paper keep if not used/exposed to light? I would like to start stocking up on has much graded FB as possible for years to come.
If you are contact-printing (as in contacting large-format negs for the final print, not strips of small or medium format negs), try to find some Fomalux and try that out. It is one of the very last silver-chloride papers.
Since VC papers have gotten so good, and graded papers scarce, I've had to adapt and now consider VC the norm for me. My stash of EMaks
will obviously run out, and that leaves me with just Ilfobrom Galerie, which seems to be the last premium graded paper available. I'm hoping
to print quite a bit of it this winter. No time right now.
I don't think Oriental has actually made any graded papers for awhile, though a few odd packages might be for sale here or there. In any event, the reincarnation of Seagull was rather anemic and disappointing compared to the original Seagull G bromide paper; and the grade 4 redo was an outright bellyflop. They duplicated the image color pretty good, but the DMax lacked the same punch, and it didn't work as well for certain dev tweaks where the old stuff excelled. Allegedly, being required to remove cadmium from the emulsion formula was the restriction, just like is was for Portriga. I stumbled onto an ancient unopened package of Brovira the other day cleaning the shelves. Probably spoiled long ago. I also have a few 20x24 sheets of original Grade 3 Seagull G left over from something. 50/50 odds it's still usable.
What I really like about Ilfobrom Gallery FB paper is the white base and it gives very rich blacks with great mid tones. I'm not really into warm tone papers.
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