flic Pic (flic pik?) may have become a tool found in a well equiped Darkroom.
I would rather open the device intact. if for no other reson that sharpshards have no place mear my fingers in the dark. Once you figure the gadget out, it does allow easy access to the spool inside the casette. and with the number of types of film going to that style of pakaging, we may all have to get good at it.Or a nut cracker. Either works
I would rather open the device intact.
BTW, I did get hold of a Quic Pic. tried it first on an old cassette which had been used beofre, and promptly broke one of the tabs on the Cassette as I was using way to much force.I was kidding. But I do think the pic is a good idea, even for people who don't want to reuse the cassettes. It was also good product design to offer a way of opening them. Otherwise, they'd all be single-use.
Anyone know if 120 will happen?
so my rolls of AristaPan 100 were dry after developing today. as almost expected no edge printing of any sort. the clear unperforated film was taped on the end of the roll, and the last 30 mm was fogged as if it was loaded by a bulk loading operation. (I have the same complaint with film packed by Flic film but at least they tape the film to the actuall Spool.)
the cassette looks to me very similar to this one https://reflxlab.com/en-ca/products/50pcs-metal-film-cassettes-with-dx-code-or-not-free-shipping
when I enquired with reflx, I was tolk that there metal cassettes were sealed and could not be opened, which is consistent with the ones the AristaPan came in.
and I suspect that the loading would be done on a setup looking
like:
FilmoTec / ORWO's marketing is terrible.
At first, they produced the films themselves - substrate, coating, emulsion...
Some time ago, they exported the film to an external company for winding into cartridges.
But they had a lot of problems and delays, so they invested in their own machine to make 35mm cartridges.
Not much surprising for a company in insolvency, which has lost most of their staff (and never had marketing experts anyway).
Even in their best times there were only about 20-25 people working there.
Nope. They only produced the emulsion by themselves. They never ever had an own coating line. They always used partners for coating (and for finishing to 135 format). That is all official by the former FilmoTec CEO. Was published in an interview.
They have always done that. They never had any own film confectioning for 135 and 120 format. They only had the machines for movie film finishing, because that has been their main business.
No, they never had own machines for 135. They used a partner in China (also official info given by them).
Ein Schwerpunkt der Erweiterung liegt bei der Schaffung eigener Kapazitäten für das Patronieren unserer Filme noch in diesem Jahr, bisher ein genereller Engpass auf dem Analogfilmmarkt. Damit werden wir sowohl unsere Produkte schneller in den Handel bringen können, als auch anderen Marktteilnehmern helfen. Es mag ungewöhnlich sein, doch wir vertreten die Ansicht, dass es im Interesse der Gemeinschaft der Analogfilm-Enthusiasten und der Hersteller gleichermaßen liegt, wenn der Wettbewerb funktioniert und viele Interessen bedient werden.
Deswegen bauen wir mit einem Maschinenbauer ein – für jeden am Markt offenes – Kompetenzzentrum auf, das die für die Filmproduktion und -verarbeitung notwendigen Anlagen sowohl „wiederbelebt“ als auch – wo nötig – neu entwickelt.
The topic is a bit outdated - if I have to comment on something now, it's in a negative trend.
For the finishing activities, I was referring to the following post (in German) on Filmotec:
It will probably never happen, but when I wrote these things, I believed that things were better. As far as I know, 120 films have never been released -
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