Ed Sukach said:That is US$ 0.05 per roll, and at the rate of 100 rolls a year, that indicates a grand total of $5.00. How much does a small Silver Recovery System cost, and what value can we project for the labor involved, and the expenses incidental to the process as a whole - to the point where our proceeds can be deposited in our bank account?
Ed Sukach said:You also - I don't want to use the term "demand"... let's say "challenge" us 100-rolls-a-year lab operators to PROVE that our dumping of silver (and I would assume other chemical compounds) do not "harm the environment." If you remember, I was also seeking information about toxicity - without that I can't reasonably form an opinion either way - nor will I argue the question.
paul ron said:And where does all this desitometry
nonsense come into this conversation again?
rjr said:.
There is no reason to spoil the sewage facility for this minute amount of cost and work involved, so I don´t do it. Period.
dancqu said:The point is, diluted 1:4 or 1:9 the capacity per liter is the same.
Do a little arithmatic. From Helen B's post take 1.6 grams/meter
square silver. Assume half ends up in the fix. Ilfords maximum
for archival results is .5 gram per liter. An 8x10 is 1/20 of
a square meter. How many 8x10s can be fixed? Dan
gainer said:We have been talking back and forth comparing apples and oranges. There are certain facts that are as true now as they were in the days of Hurter & Driffield. [...] They proved that in any given colloidal silver suspension, the optical density is proportional to the mass of silver per unit area. This finding allowed the use of the familiar characteristic curve to analyze developer performance by maesurement of optical density, which is very much easier than the quantitative analysis of silver content. They also knew that maximum density was not correlated to silver content of the undeveloped emulsion alone.
We in our brilliance redicover many things. I don't know how many of you have access to the Hurter and Driffield Memorial Volume, but if you can find one it will be very interesting reading. Mine was given to me by a friend.
Yeah I have a BIG problem with this asertion. On the spot market close for silver on Friday, the high was in the world, $6.90 per ounce. You would have had to at that all time high had to produce over 13 pounds of pure refined silver to have your $1500 recover total. When silver gets sent off to be reprocessed, it is done by how much waste is invovled with the reprocessing. Pure bench (talking as a jeweler)Ie cut off bits and other large chunks, and such that have no other contamination in it will gain you about 80% recovery value of what ever precious material you send in. If you happen to get gold in with your silver the cost goes down, since they have to go through another step to process out the other metal. Next level is the bench sweeps where you taking the filings, and shavings of the metal you were working on. This will get you about a 65% value. Lastly is floor sweeps, filters and other such trapping devises. That you get about 25% value. Now the value is based on the actual weight of the metals recovered after processing, not the weight of the item you send in as in a filter that traps the metal. When I worked for a high end jeweler, his silver never came near that total. He had mostly the first two types of recovery. His processing of silver directly in fabrication of jewelry would be far greater than the minute amounts of silver used in processing of film and paper. His checks for silver would earn him less than $100 in a 3 month period. He employed 4 bench jewelers. He also dealt direct with the metal vendors such as Hauser and Miller, and Rio Grande.Bob Carnie said:Hi Ed
re: your doubt of my figure of $1500 for 6 month period
The 6 month period included all film processed, contacted , all fibre fix, all ciba bleach fix, all ra4 bleach fix.
We as well accept used fix from darkroom users that know we recover chemicals.
To be fair we process thousands of rolls , sheets of film a year, and I print daily with a fairly heavy show,portfolio clientelle.
But , to my point we are a very small shop compared to the Large Photo Labs and if we can save this type of silver every 6 months think of the amount of silver going down the drain if it is not being recovered.( how many home darkrooms are capturing their chemistrys?)
I would hope every one on this forum is recovering their used chemicals.
A recent poll on this forum indicated to me that there are a lot of talented indivuduals with heavy chemistry background, I totally defer to them on this issue. But until someone can prove to me and actually the Toronto Chemical Waste group that dumping photo chemistrys down the drain is ok for the enviornment , I will continue to reclaim my fix. As well get money for this practice.
Kirk Keyes said:Go to Ilford's web site, and for both Ilfotec
II and Hypam fixers, they state a capacity of 40 8x10 sheets
(2 sq. m.) for fiber and 80 8x10 sheets (4 sq. m.) for RC.
You will find that you will have two different concentrations
depending on which initial fixer dilution you start with.
Kirk Keyes said:Jorge - thanks for the summation!
"I would simply soak the film in household bleach until the emulsion has dissolved in it, add some rock salt and weight the amount of resulting silver chloride, you can then easily calculate the concentration of silver."
Have you tried this? I suspect that the silver will already be precipitated as a choride from the bleach, so you would then have to wash away the remaining material, which hopefully is soluble or use a furnace to burn it off after washing away whatever is soluble at that point...
One will still need a 4 place balance to make accurate measurement, unless you want to use a lot of material to start with! May not be so bad for paper, but it could get expensive for films.
Kirk - www.keyesphoto.com
Bob Carnie said:If APUGers darkrooms were all here in Toronto there would be no dumping of the chemistry down the drain without a proper recovery unit. That is the law here.
Bob Carnie said:Hi Ed,Aggie
don't take this response as combative as it is not intended to be.
We had a spot inspection at our facility earlier this year, The Municipal Toronto Environment group..
gainer said:Considering that silver is one of the noble metals that do not easily dissolve, and that it is mined directly as metal from the ground in some places, I doubt that the silver itself is the concern. As it comes from our darkrooms, it is usually dissolved in the fixer, and in sufficient quantities may act as a bactericide against helpful bacteria. Just guessing.
Kirk Keyes said:Silver is in the EPA 13 Priority Pollutant Metals list - so they are certainly concerned with it. It has been shown to have an adverse affect on wildlife and the environment.
Sure, we learned that in freshman chemistry. That is why that mixture is called "aqua regia". How often do you encounter that potent reagent in nature outside of Pittsburg or L.A.? I can get HCl at the hardware store. Where do I get nitric acid? I still don't see how a silver spoon in my back yard would be attacked by anything but SO2 in the air or water here. The coating of silver sulfide protects it from further reaction. That is one reason for sulfide-sepia toning.Kirk Keyes said:I dn't know which acid you've been reacting your silver with, but I find it is readily attacked by hydrochloric and nitric acids. Remember that while silver is right above gold it is still right below copper which also reacts strongy with those acids - all are members of Group 11 (IB).
Ed Sukach said:Aha! A possible light at the end of the tunnel.
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