Any decent 200 colour negative film around ?

Free deckchairs

A
Free deckchairs

  • 0
  • 0
  • 0
River Eucalyptus

H
River Eucalyptus

  • 0
  • 0
  • 38
Musician

A
Musician

  • 3
  • 0
  • 68
Your face (in it)

H
Your face (in it)

  • 0
  • 0
  • 66

Recent Classifieds

Forum statistics

Threads
199,257
Messages
2,788,693
Members
99,844
Latest member
MariusV
Recent bookmarks
2

ekkybedmond

Member
Joined
Jan 11, 2010
Messages
40
Format
35mm
That is:

apart from pushing Ektar 100 or Reala 100

the Kodak 200 Elite Prof film is gone (if it indeed was a 200 film..)


or should I be hapy with the 400 (portrait..) films by Kodak and Fuji ??

or resolve to TRansparancy ?
 

Vonder

Member
Joined
Jun 16, 2007
Messages
1,237
Location
Foo
Format
35mm
I enjoy both the Kodak and Fuji 200 speed films currently in production. The Superia is a bit easier to scan, for me at least.
 
Joined
Jan 21, 2003
Messages
15,708
Location
Switzerland
Format
Multi Format
I really like the Superia 200. If I was still shooting any color film, that's what I would use.
 

destroya

Subscriber
Joined
Jul 23, 2012
Messages
1,217
Location
Willamette Valley, OR
Format
Multi Format
the fuji 200 is decent but when you factor in the price its very good. kodak gold is ok also but seems pretty muted compared to the fuji. if you are in the US get some and try it out and judge for yourself they are both cheap. walmart has the fuji 200 in a 4 pack for $6.89 and target has the kodak 200 in a 4 pack for about $8
 

F/1.4

Member
Joined
May 16, 2011
Messages
233
Format
Multi Format
That is:

apart from pushing Ektar 100 or Reala 100

the Kodak 200 Elite Prof film is gone (if it indeed was a 200 film..)


or should I be hapy with the 400 (portrait..) films by Kodak and Fuji ??

or resolve to TRansparancy ?
Just shoot portra 400 @ 200 and develop normal.
 

Pioneer

Member
Joined
May 29, 2010
Messages
3,880
Location
Elko, Nevada
Format
Multi Format
Or Portra 160 at 200 and develop normally. :D

Both Kodak Gold 200 and Fuji Superia 200 are good films as well. Fuji is a bit more saturated than Kodak but they are both good films. I use a lot of Kodak Gold 200 in stormy weather like rain or snow and love the pastel results. With the right lighting the images can look almost like paintings right out of the camera. I have some Fuji 200 but don't use it as much because I usually shoot chromes if I want saturated.
 

thegman

Member
Joined
Feb 8, 2010
Messages
621
Format
Medium Format
Personally, I'd just shoot Portra 400 at 200 ISO too, probably won't tell the difference except maybe slightly better shadows I'd expect. Same for Fujifilm 400H, I shoot that without a meter, always seems to turn out great.
 
OP
OP

ekkybedmond

Member
Joined
Jan 11, 2010
Messages
40
Format
35mm
Thanks so far guys !

Should have mentioned I meant Pro films, but it's good to know that Superia 200 is also a good choice (apart from much cheaper...).


Anyone else like to commend ?
 

railwayman3

Member
Joined
Apr 5, 2008
Messages
2,816
Format
35mm
Thanks so far guys !

Should have mentioned I meant Pro films, but it's good to know that Superia 200 is also a good choice (apart from much cheaper...).


Anyone else like to commend ?

I'm currently using Agfa Vistaplus 200, which is an own-label film made by Fuji (cassettes, plastic tub and printing on box is identical to Fuji's own products).
Not sure which Fuji film it is, but I find it fine for all general purposes (as always, much is down to the quality of processing and printing).
In the UK it's currently at the "Poundland" stores, at (as you would expect :smile: ) £1 for 36 exposures (about $1.50).
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom