Ansel Adams: "El Capitan, Winter"The Story Behind The Image

Recent Classifieds

Forum statistics

Threads
199,075
Messages
2,785,869
Members
99,796
Latest member
Alvinabc
Recent bookmarks
0

Sirius Glass

Subscriber
Joined
Jan 18, 2007
Messages
50,399
Location
Southern California
Format
Multi Format
upload_2021-1-1_9-56-41.png


Ansel Adams, "El Capitan, Winter"
Yosemite Special Edition Photograph


"El Capitan, Winter" The Story Behind The Image
In Ansel Adams' "El Capitan, Winter," the looming darkness of the granite face contrasts dramatically with the brightness of the snow-clad trees on either side of the Merced River. Ansel Adams made this image before 1950 with an 8" x 10" view camera; the precise date is unknown.

Other photographs of this image have a reversed tonality, dark trees and shadows framing the brighter rock. On winter days, as the sun warms the frozen face of El Capitan, rocks often shower down from above as the ice holding them in place melts. After the thousand-foot fall explodes the rocks on impact filling the valley with booming echoes.

During his career, Ansel took many images of El Capitan's dramatic face, notably one of his first known photographs taken in 1916 on his first trip to Yosemite. Using a Kodak #1 Box Brownie, he offered an early hint at the visualization that would later become his hallmark, framing the pale granite face with leafy trees in the foreground to downplay the overwhelming size of El Capitan. After that early photograph, Ansel Adams returned to El Capitan over and again photographing it in every time, season, and light he could.


Explore more winter photographs made by Ansel Adams.
<=== click this link but please feel free to ignore the $ signs.
 

DREW WILEY

Member
Joined
Jul 14, 2011
Messages
14,014
Format
8x10 Format
Hmm .. I was right under the vertical part on a day like that. Most of the falling ice would hydroplane away from the face. Then the wind calmed, and a chunk about 60 ft across landed about 30 ft away. Time to get out of Dodge City. Watkins, Muybridge, and Fiske all did wonderful pale sky shots of El Cap by virtue of blue sensitive films. My sky was white due to snow conditions, like this one. That kind of treatment often renders a sense of scale and monumentality to the scene. There is a better known shot taken by AA from the same spot much later, which would make an interesting comparison. His careful timing with respect to the pattern of ascending vapors or fog is apparent in both. Few of his disciples had the same level of poetic timing. The Zone System can't teach you that!
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom