In my experience, BW film only requires one stop per two decades, so at 70 some years, I'd say only 3 1/3 stops are needed, so roughly iso 20, maybe 16.Kodak labeled later films Safety Film, not sure is ANSCO did. If it is a nitrate film in addition to fog it might be brittle. be careful loading into a camera, to be on the safe side I would use a motor drive or winder, ANSO Supreme was a mid speed film, ASA was likely 80 or 100 so one drop of speed per decade, shoot at ISO 10 and see what you get.
I pretty much have the new liquid stuff, recently did a found 116 verichrome (not pan), and got a seriously fogged film, though there were results.Try looking here. The original box speed was old ASA, which was doubled (for most films) around 1960, but offsetting that, you've almost certainly lost at least three stops to age fog.
Nitrate film was made until the early 1950s, and stocks that weren't nitrate were usually prominently labeled "Safety Film" -- if yours isn't so labeled, and hasn't gone to acidic goo or caught fire yet, you can probably still process it. I had a roll of that sort a while back -- found film someone sent me -- and it was okay (and will be, the degradation is mainly a problem when stored in airtight cans).
Old HC-110 (syrup) would be my top choice for film that old -- I don't know if the new low viscosity version has the same anti-fog properties.
any dev time recommendations? I'm not going to use the film until spring or summer, so I'll have a chance to test some old hc110.Even the legendary syrup can't completely eliminated fog -- the one roll of nitrate film I've done was so fogged the images were partially reversed, even in HC-110. Still, it does better than most other developers.
any dev time recommendations? I'm not going to use the film until spring or summer, so I'll have a chance to test some old hc110.
Earlier today, I realized my ISO calculation was wrong, and I would say ISO 10 would be the appropriate speed for the film. I know I'll be running this through my Nikon FT3. So far, I've only ever had one film break on me, and that was an indated Delta 400.Kodak labeled later films Safety Film, not sure is ANSCO did. If it is a nitrate film in addition to fog it might be brittle. be careful loading into a camera, to be on the safe side I would use a motor drive or winder, ANSO Supreme was a mid speed film, ASA was likely 80 or 100 so one drop of speed per decade, shoot at ISO 10 and see what you get.
Earlier today, I realized my ISO calculation was wrong, and I would say ISO 10 would be the appropriate speed for the film. I know I'll be running this through my Nikon FT3. So far, I've only ever had one film break on me, and that was an indated Delta 400.
Unfortunately, it's a 20 exposure roll, fortunately my ft3 is only manual.If you in manual wind and rewind you should be ok. If its a 36 exposure roll cut off the first few inched beyond the leader develop it to see how much fog you have. I've been given sheets of Trix and Plus from the mid 50s, all were fogged to demax. Saying that I've film from the 30s and 40 that folks got useful negatives from, who knows.
This source says it's 17 min at stock solution, but I'll take your word for it.
Also... would a 1946 expired plus x have a similar develop time?
So you're saying I should go the full fifteen minutes?
OK... by test roll I meant run a fresh roll of film (thinking it's going to be a tmax 100), just to make sure the developer works properly.No, I'm saying look closely at the contrast on your test roll (you did say something about a test roll?) and be prepared to adjust the time accordingly.
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