40mm Distagon black T* (has a loose screw in the body so resale value is lowered... Still time to return it to Adorama if I do it in five days)
return the 40mm as long as you can.
- 50mm chrome(sell)
- 50mm CF FLE(keep)
- 60mm black T*(sell)
- 80mm CF(keep)
- 120mm f4 Macro planar CF(keep)
- 150mm chrome(sell)
- 250mm black T*(keep)
- Bonus system camera: Mamiya C330 with 80/2.8 and 105/3.5 D (heliar)(sell)
Don't worry the Bronica folks are jealous of our Zeiss glass. I had Bronica, loved the body, hated the lenses.
The Mamiya RB67 folks get the big negative, rotating back, and a very inexpensive set of high quality lenses for little money.
Alas, I discovered Mamiya after I bought the Hasselblad stuff.
I still have a couple of Bronicas, they are great cameras and have great lenses. I also have a 501cm and a 503cw. The Hassleblads and the Zeiss lenses are about as good as it gets. I have an array of RZ67 II stuff as well, it's nice but huge.One thing that owning a Hasselblad has made me is jealous of the Bronica folks who can guiltlessly own an awesome array of lenses for very little money. I always feel bad having all these lenses and getting out to shoot photos and print in the darkroom so infrequently. Maybe I shouldn't overthink it and only sell the lenses when/if I actually need the money, and keep as many as I can right now. Perhaps the 50fle/60/80/150/250 and they re-evaluate in a few months. That really only leaves the fates of the 40 and the Mamiya up in the air. The 40 is complicated because it's got great glass but a mechanical issue (one of barrel screws is loose and rolling around in the body, but the shutter works and it only cost me $300) so need to decide whether to send it back soon.
I think, you'll find that there is only rarely a need for the 40mm;the 50mm can handle most WA jobs.One thing that owning a Hasselblad has made me is jealous of the Bronica folks who can guiltlessly own an awesome array of lenses for very little money. I always feel bad having all these lenses and getting out to shoot photos and print in the darkroom so infrequently. Maybe I shouldn't overthink it and only sell the lenses when/if I actually need the money, and keep as many as I can right now. Perhaps the 50fle/60/80/150/250 and they re-evaluate in a few months. That really only leaves the fates of the 40 and the Mamiya up in the air. The 40 is complicated because it's got great glass but a mechanical issue (one of barrel screws is loose and rolling around in the body, but the shutter works and it only cost me $300) so need to decide whether to send it back soon.
I love being ghetto and paying 1/5 the cost for my lenses.
30mm Hasselblad lens must be good for documenting which shoes you were wearing at a particular location and what the overhead sky conditions were at the time.
Go SWC!!!
I understand the "don't care for super wide", I more of 60mm on 6X6 style shooter myself (or 35mm lens on 35mm, 135mm on 4X5). If I do want to go shoot with a super wide, I take JUST that lens and try to "See wide" and usually bring home some fun shots. It's kinda like going out trying to shoot both color and B&W on the same day, I usually fail at both trying to do that! I also like shooting with a normal lens, not sure how much you like it? Some people love it, some hate it. I'd keep the 60 and the 150. Then either be OK with the 80 or get a 100mm to fill that gap. For a wide, get a SWC and just go out with that when the "shooting wide" bug hits. If you like the autocord, pick up a Rolleflex 3.5 xenotar or a 2.8 Planar. Both are amazing tools.
C330. There’s something about the mamiya tlr system that i love.
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