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Analog photography and the 'truth'

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Very few people here, if any, think "analog photography has always told the truth".

That's because prints can be manipulated or new negatives fabricated, or all sorts of devious mischief can be performed. This is not new.

Rather, what is the TRVTH about analog photography is that light from the lens striking an emulsion forms a physical, tangible representation of what that lens saw, subject to its optical properties. That original image in the emulsion is the truth.

On an electronic sensor, what exists is transitory and viewable only through software - which itself involves human judgement.
 
pass the popcorn please
 
I literally expected someone to have p-shopped him into a black '69 Charger.
That would have been a step too far back then:laugh:
His head seems to have aged quite well.

And Rejlander made a better job of it than the BBC have with all their digital equipment.
 
A negative shows that the image did not have things added or removed while with digital one never knows what was done or not done with fauxto$hop. I get a kick out of seeing a color photograph with a rebate with "Kodak Tri-X" or "Ilford HP5+" or a black & white photograph with a rebate with "Kodak Kodachrome".
 
Very few people here, if any, think "analog photography has always told the truth".

That's because prints can be manipulated or new negatives fabricated, or all sorts of devious mischief can be performed. This is not new.

+1
However, what I dislike about "articles" like that is that it somehow a justification for digital photographers/photoshop/instagram users to say "Look, film photography was manipulated* too! They started it!" To make them feel justified in what they do? The difference is, while it was possible to do during the film era, it was the exception, not the rule. In the digital era, it's the rule, not the exception. The former being quite rare as it was beyond the skill of most photographers, even those who worked in the darkroom, whereas with digital it can be (but not necessarily) be as easy as pushing a few buttons and moving a few sliders.

*I do NOT want to start another conversation about manipulation means to everyone. That is another subject beaten to death.
 
There used to be a saying that "A photograph never lies". Well you shouldn't need to do much photography before you realise that all photographs lie. They are all abstractions from reality and as such never depict reality or the real truth. How far from reality is another question. After that it comes down to what is ethical and the problem there is that ethics are constantly being re-evaluated and are highly subjective anyway.
And that is the source of all the arguments about it.
popcorn-and-drink-smiley-emoticon.gif
 
I'm quite sure that digital photography (or indeed photographers who use digital methods) needs or wants "justifications".

Just as I'm sure that Prof_P posted this in good faith, but nevertheless it'll start yet another dreary round of film vs digital arguments along with all the spurious "justifications" of the "superiority" of film over digital.

[clicks "ignore thread"]
 
I don't like heavy manipulation be it digital or analog. Everyone has their own style though and heavy manipulations seem to be de rigueur these days. It's gotten to the point where I feel like we're going back to pictorialism.
 
Tempest in a teapot...
 
The National Enquirer did just fine, long before digital manipulation. Photographic proof of Elvis being aboard the same UFO as Bigfoot, etc. Just takes a pair of scissors and some Elmer's glue. Well before that, the Spanish American War was triggered by a mere sketch of an alleged news event. It sold a lot of newspapers.
 
Very few people here, if any, think "analog photography has always told the truth".

That's because prints can be manipulated or new negatives fabricated, or all sorts of devious mischief can be performed. This is not new.

Rather, what is the TRVTH about analog photography is that light from the lens striking an emulsion forms a physical, tangible representation of what that lens saw, subject to its optical properties. That original image in the emulsion is the truth.

On an electronic sensor, what exists is transitory and viewable only through software - which itself involves human judgement.

Theo nails it in only the second post.

:smile:

It's the difference between subjective and objective trvth.* It's a difference that I have tried unsuccessfully for years to get people here to consider within the context of photography. The former is interpretive in nature. The latter is immune from interpretation.

If one takes a picture of a dog, one has a picture of a dog. If one takes a picture of a dog dressed up to look like a cat, one has a picture of a dog dressed up to look like a cat. One does not have a picture of a cat, just because the animal looks like a cat in the resulting image. No matter how convincing the disguise.

Pretty simple, really.

The first example is what Theo, Maris, myself, and a few others are talking about. The second example is what everyone else routinely tries to turn the first example into, including most replies in this thread thus far.

Ken

* The Romans tip their collective hats...

:tongue:
 
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Our eyes lie all the time.

"You can't hide your lyin' eyes
And your smile is a thin disguise
I thought by now you'd realize
There ain't no way to hide your lyin' eyes"

God dag - jeg har vært i Ringerike før...
 
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