Hi
I shoot medium format and scan using an Epson V550 via the most recent version of Vuescan professional. I mostly shoot colour and BW negatives.
I've been using Colorperfect to invert my negatives. Many have commented on its awkward interface - I guess I managed to get the hang of it, at least for basic usage workflows, so this is not what bothers me.
The thing is, I can't say I'm completely happy with the results I'm getting. The main problem is that I am not sure Colorperfect is really extracting the best representation of the colours contained in my negatives and I find this problem varies based on the film I'm using. My best results are with Ektar 100. The worst would be with Portra 160 and Fuji NPH 400 pro. With the latter two films, quite frequently I find myself preferring Vuescan's own automatic color inversion to Colorperfect's.
This leads me to think that maybe modern Portra and Fuji NPH have somehow 'diverged' in terms of colour profiles from the profiles stored in Colorperfect. Also, Colorperfect seems to often include several different profiles for each film. Which is the correct one? Often, none of them feels quite like the 'right one', so I pick at random.
I should also mention I'm pretty sure I'm following Colorperfect's tutorials and video introductions, so, while I can't exclude I'm an idiot and constantly mess up with the settings, I would say I'm quite confident I'm following the right sequence of steps.
In any case my question would be: what is currently your favourite inversion workflow? An automatic one would be best, but I would consider a manual workflow, too, should it offer consistent results. I should also mention I use Adobe Photoshop CS2 for my processing, so any macros/tools would have to work on it. Thanks in advance for any help.
I shoot medium format and scan using an Epson V550 via the most recent version of Vuescan professional. I mostly shoot colour and BW negatives.
I've been using Colorperfect to invert my negatives. Many have commented on its awkward interface - I guess I managed to get the hang of it, at least for basic usage workflows, so this is not what bothers me.
The thing is, I can't say I'm completely happy with the results I'm getting. The main problem is that I am not sure Colorperfect is really extracting the best representation of the colours contained in my negatives and I find this problem varies based on the film I'm using. My best results are with Ektar 100. The worst would be with Portra 160 and Fuji NPH 400 pro. With the latter two films, quite frequently I find myself preferring Vuescan's own automatic color inversion to Colorperfect's.
This leads me to think that maybe modern Portra and Fuji NPH have somehow 'diverged' in terms of colour profiles from the profiles stored in Colorperfect. Also, Colorperfect seems to often include several different profiles for each film. Which is the correct one? Often, none of them feels quite like the 'right one', so I pick at random.
I should also mention I'm pretty sure I'm following Colorperfect's tutorials and video introductions, so, while I can't exclude I'm an idiot and constantly mess up with the settings, I would say I'm quite confident I'm following the right sequence of steps.
In any case my question would be: what is currently your favourite inversion workflow? An automatic one would be best, but I would consider a manual workflow, too, should it offer consistent results. I should also mention I use Adobe Photoshop CS2 for my processing, so any macros/tools would have to work on it. Thanks in advance for any help.
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