Read that this morning. It's probably one of the strangest photobooks ever made. I doubt it'll ever be part of my collection, even though I'm an Alec Soth fan, but I do admire his risk taking. Does show that in photography everything is possible.
Yeah it sounds like a phase. It’ll pass.
Read that this morning. It's probably one of the strangest photobooks ever made. I doubt it'll ever be part of my collection, even though I'm an Alec Soth fan
What do you like about his work? I skimmed through one of his books (Sleeping by the Mississippi I think it was called) in a local photo book shop and found nothing that appealed to me.
Perhaps it's because the world he moves in and the characters he's interested in are completely alien to me and my culture.
But then again I am fascinated by e.g. Eggleston and Robert Adams who are also depicting places and ways of being that are really remote to me, so the above is probably not the reason why I haven't been able to appreciate Soth's output.
Interesting that you mention Eggleston. I find similarities between him and Soth. The approach of Sleeping by the Mississippi is not that far from Eggleston's Election Eve or his Guide, this last one having many photographs from Mississippi. Put Eggleston's Guide next to Soth's Sleeping by the Mississippi and you'll see the lineage.
They are both interested in the landscape and it's relation with history, both are attracted by the vernacular, and both engage with the people they meet in a similar matter, i.e., as if they were one of many elements—with the cars, the roads, the rivers, the houses, the city scape, various objects, etc.—that is part of the landscape that, as a whole, defines community in general. You don't get a full sense of who they are, but you do get a strong sense of their belonging where they are, and thus a feeling of what that place is about. Difference might just be that Soth engages with them at times on a more intimate level than Eggleston does.
I was acutely aware of Soth going about with his large camera on his shoulder and a well laid out plan on how to get those images and place those people in that order in his images.
Whereas I never felt I detected that looking at Eggleston's images. To me they always felt like the product of a furious instant of intuition and effortless creativity.
It's safe to assume this is how he buys his food.i have this reaction to a lot of photographers that sell books and seem to "Have A Name" of sorts`.
Does he make a living doing this.?
It's safe to assume this is how he buys his food.
Can he buy anything else.?
Like i say, i am not picking on just this photographer. The question rises with many i see discussed on here.
Can they generate even a living wage.... 70k - 80k dollars a year USA.... with what they do.
I just do not see how.
But i am told again and again that they are a Professional Photographer.
Is it from photo books..... how many could they sell.?
Do they get some big commissions every year from a patron.?
Is it from photo books..... how many could they sell.?
Do they get some big commissions every year from a patron.?
Is it from photo books..... how many could they sell.?
Do they get some big commissions every year from a patron.?
Thanks for the info.Soth's critically acclaimed work has been exhibited widely and is in the collections of important museums. Take a look at his Wiki and you'll see he's had a very busy career indeed.
In addition to his Magnum assignment work and personal books he also teaches photography and operates a small publishing company called Little Brown Mushroom. It's not hard to find a living wage when you add up all his effort. He may not sleep.
I take your point about other photographers for sure, and I think Soth is showing the way. If you want to be a professional photographer today and aren't independently wealthy you have to have a lot of irons in the fire like Soth does, even if your work is in museums.
For the most part photo books are a better way to spend money rather than make it, but Soth is likely an exception. Several of his titles at the Magnum shop are sold out and first editions are available for hefty prices.
Soth (and other Magnum photographers) do commission work, teach workshops, sell prints through the galleries that represent them, etc. I suspect that's where the bulk of his earnings come from.
Fellowships/bursaries probably. Friends in high places. Sometimes sheer talent. Not unlike other realms of human pursuit, whether artistic or scientific.
Not everyone needs to dig mine shafts or sell cars to make a living.
So i cannot see how this guy makes 50 USD an hour for 2k hours a year. from his "Photography".
As mentioned by other members already, that is not his whole story.
I was in the building trade unions
When you ask a guy what he does for a living and he tells you he is a carpenter, painter, electrician......... That is how we make a living.
They are not also teaching classes on the weekends or running a publishing business, or selling roses online.
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