I think Simon was specific about the Ilford brand only. But my memory may not serve me well.
+1. Simon draws a fine but important line between the brands Ilford and Kentmere. See the (there was a url link here which no longer exists).
I think Simon was specific about the Ilford brand only. But my memory may not serve me well.
Simon Galley has repeatedly said Harman doesn't use its films, Ilford or Kentmere, for other brands.
Isn't is conceivable Rich/Clayne that Lupus hired out say Orwo or some other coater to make the old stuff?
I think Simon was specific about the Ilford brand only. But my memory may not serve me well.
+1. Simon draws a fine but important line between the brands Ilford and Kentmere. See the (there was a url link here which no longer exists).
link please?
I believe Simon said Ilford doesn't rebrand it's films. That doesn't mean that the parent company Harman doesn't rebrand Kentemere. Simon was very specific to Ilford but didn't mention Kentemere....
I will look for the quote too....
Surely you have a better link?Simon Galley has repeatedly said Harman doesn't use its films, Ilford or Kentmere, for other brands.
Thanks, miha, that's a clear statement.
So does that settle it?
Gullible.
And you believe that just because he wrote it? That's all it takes for you? How many times did Kodak Management say "Kodak is here to stay"? You believed them too?
I personally don't care if it's Ilford/kentmere film (which I firmly believe it is. What else???). My money will go to the cheapest. I understand that they do all what they can to make us believe it isn't Ilford film in order to keep profits up. Even by "lying" or by playing with words/technicalities. That film is a Harman product. Otherwise why all the secrets? Why can't they point the real maker?
Marketing game, that's what it is.
That´s why I´m so certain that no one will bring a new product to the market these days....My money will go to the cheapest.
why then continue shooting analog?
That´s why I´m so certain that no one will bring a new product to the market these days....![]()
Well, between arista premium @ 2.49$ and tri-x @ 5$, why exactly should I overlook arista since it's the same film? To please whom exactly?
But I agree, this rebranding business has to be kept secret as much as possible in order to prevent hurting the company.
This film was sold to Freestyle by Kodak prior to Kodak going into chapter 11.Well, between arista premium @ 2.49$ and tri-x @ 5$, why exactly should I overlook arista since it's the same film? To please whom exactly?
This film was sold to Freestyle by Kodak prior to Kodak going into chapter 11.
It´s for sure a good deal today. But will it keep film allive for long if costs for the materials, labour and energy are higher than the end users price?
Companies need to make a profit. For some reason I am under the impression that photographers in general deny this to film producing companies. They are all bust by now except for Fuji. Do you really think you made them to rhich?
Mirko
The general demise of the past within the photochemical industry can hardly be related to consumers going for cheap films.
When I lived and worked in China for a while back in the late 90's there were factories that made identical products that were then either for export to the EU and USA by one foreign-owned company and also for direct sale domestically by a Chinese-owned company. The former had a line after production with inspectors for QC and a good percentage was rejected. For the latter whatever came off the line was sent out for sale, no QC inspection. I wonder if this kind of thing might also exist for Kentmere (or other UK-made film in same factory) vs Ilford,...
I very much doubt that Harman would purposely send out duff products.
kevs
Well said. Even in today's non-film world, premium films are the norm. I hardly see any rolls of Freestyle Arista Premium in the below. Typical American drugstore counter....
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