AgCl4ever
Member
Can anyone provide a source for APX400 (super cheap or just cheap) in 36 exp bricks or 100' rolls? Once I hit the right development this was my favorite 400 film, especially for skin tones.
I also missed the opportunity to try Rollei Retro 100 in 120, but I gather from 'net buzz that it was made on a different base than the 35mm RR100, which suggests that they were not cut from the same master rolls.
Can anyone provide a source for APX400 (super cheap or just cheap) in 36 exp bricks or 100' rolls?
For those still wondering about this, my biannual batch of darkroom supplies arrived today. Among it is a brick of APX100, which has an expiration date of 09/2013.
I got free candy with my delivery too! Nice touch, Maco.
I got free candy with my delivery too! Nice touch, Maco.
Can anyone provide a source for APX400 (super cheap or just cheap) in 36 exp bricks or 100' rolls? Once I hit the right development this was my favorite 400 film, especially for skin tones.
Similar questions about APX are often asked in this forum, the answers are always the same:
- "Lupus Imaging & Media was founded in 2005 as a wholesale company for photographic products." They have no manufacturing facilities for film - like Maco, Freestyle and others. Lupus' b/w films are made from big frozen Agfa rolls, and their color films are fresh products made by Fuji. All those are good films, but they were produced by other companies.
- There is nobody who produces APX films today. All 120 APX films were sold out a long time ago, 35mm ist still available, made from big old frozen rolls.
- Adox/Fotoimpex announced to produce an Adox APX 100 and 400, but they are not available yet.
- All films that are claimed to be "successors" or "almost identical" have almost or absolutely nothing in common with these films, but some companies love to pull a fast one on their customers.
And that's the whole story.
Adox MCC is pretty much exactly (near enough) the same. Do not sleep on that paper as it's excellent.
Thanks Clayne - just need to find a supplier here in AU, or one who doesn't charge a King's Ransom for shipping.![]()
Adox MCC is pretty much exactly (near enough) the same. Do not sleep on that paper as it's excellent.
It is, except it's on a bright white base, whiter than the previous Agfa version. It's a lovely paper, but I am tending more toward MGIV MGFB lately because it responds more to selenium. Adox MCC 110 does change color somewhat in selenium, but not as much or as quickly as MGIV. But it's a slightly warm paper that will cool to neutral. It doesn't seem capable of a true cool tone. If that suits you though it's great stuff.
This is absolutely not my experience at all. Both MCC original and MCC ADOX respond to selenium in fairly predictable and reasonably significant fashion, from what I've found in using both. MGIV is notoriously resistant to the effects of Se - mainly dropping blacks (beneficial) but not changing tone much other than going colder and colder magenta the longer it's toned. MGWT is of course much more responsive. Between MGWT and MGIV, I place MCC in the middle, with MGIV far in the direction of most resistant to Se toner.
I've observed pretty much the same effects while using Dektol, Seletol, and 130. When I say "not change tone much" I'm talking the classic warmtone paper response to Se toner.
It's not just me either, MGIV has been widely reported as others as not toning "well" in selenium toner. Sure, it may go dmax faster, but as far as conversion of silver to silver selenide such that reflected light gives it a different color/tint entirely - MGIV is not that paper. Even if MCC takes longer, for whatever reason, the eventual end-result is more color shift. Selenium toning doesn't always have to be cold magenta. My go-to neutralish paper (when it was around) was Emaks #2/#3 and this always had a nice balanced tone in KRST and did not give off the feeling of "coldness." MCC also settles into a similar balanced look, I've found. MGIV, while a great paper, is like frozen grape juice in selenium.
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