advancing film without tripping shutter

12 A Jutland

D
12 A Jutland

  • 0
  • 0
  • 12
about to extinct

D
about to extinct

  • 3
  • 0
  • 140
Fantasyland!

D
Fantasyland!

  • 9
  • 2
  • 166

Recent Classifieds

Forum statistics

Threads
198,754
Messages
2,780,456
Members
99,698
Latest member
Fedia
Recent bookmarks
2

rob3rt5

Member
Joined
Feb 25, 2005
Messages
24
Format
35mm RF
In the 80's I saw a photographers work that remains forever fixed in my imagination. I can't remember his name but he shot one image over an entire roll of 35mm (I assume) film. The images were static with one side stretched the length of the whole roll. I believe he shot a cover shot for Jean Michel Jarre's "Zoolook". Does anyone know how this was done (how to modify a camera to do this) and who this guy is/was? Thank you in advance for your help.
 
Joined
Jun 23, 2007
Messages
1,177
Location
Hamilton, Ca
Format
Multi Format
The 'smear' is so selective on that CD cover that I'm sure this could not be done in camera. I would guess it could be a either a physically manipulated Polaroid, or some other selective panning of the paper during the enlarging phase.
 
OP
OP

rob3rt5

Member
Joined
Feb 25, 2005
Messages
24
Format
35mm RF
The cover art is infantile compared to the work that I'm really looking for which spans the entire roll of film (stretched limbs, eyes ect.). I know that the pieces I'm referring to were done directly to the negative because I saw them numbered in sequence without any interruption of the image.
 
OP
OP

rob3rt5

Member
Joined
Feb 25, 2005
Messages
24
Format
35mm RF
The artist that shot the cover is not, I think, the same artist that shot the rolls of film I'm talking about but, the effect is roughly the same only more so.
 
Joined
Jun 23, 2007
Messages
1,177
Location
Hamilton, Ca
Format
Multi Format
Ok, so kind of guessing in the dark here, but how about this:

Assuming typical manual film SLR:

Advance film to the end with the lens cap on (so no exposure), then switch shutter to bulb (mirror up, shutter open). Take lens cap off, depress the transport release on the bottom and rewind the film manually. The film will stream back across the open shutter. That would smear the scene across the entire roll.

Jeez, I think I'll try this sometime!
 
Last edited by a moderator:

alanrockwood

Member
Joined
Oct 11, 2006
Messages
2,185
Format
Multi Format
I'm not sure what photo you are talking about, but could it have been taken with a panorama camera? Some of these devices were mounted on a tripod in such a way that the camera was rotated on the tripod synchronously with the movement of the film. The focal plane was screened off except for a very narrow slit. It was kind of like a focal plane shutter, except instead of the slit moving across the film, it was the film moving across the slit.
 

pelerin

Member
Joined
Sep 11, 2004
Messages
343
Format
Multi Format
Hey,
As they say, "back in the day," Cokin used to sell a kit for converting your 35mm camera to be used with a slit shutter. The slit was a plastic cap that fit the thin rail at the rear of the cokin holder. Combining objects in motion with still ones (and varying the direction of the motion w/ relation to the direction o fthe films movement) produced effects like you describe.
Best

Celac
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom