We are listening, Sal. We've got a lot of requests for more film types in 120 from our customers.
We will do our best.
But the situation in our industry is currently very complex and challenging. And not all is in our hands, as we are also dependent on suppliers.
And the situation is also very dynamic, so plans you made two months ago for example, could be totally destroyed next month because essential supplies stopped.
ADOX - Innovation in Analog Photography.
THE BEST THINGS IN LIFE ARE ANALOG.
Thanks ADOX!
I could not resist:
View attachment 356103
Considering classic type (non-T-Grain, non Delta-Grain) emulsions CHS 100 II is my favourite in the ISO 100/21Β° range. I prefer it to FP4+, Kentmere 100 and Fomapan 100 because of its better sharpness and resolution, and I like its specific spectral sensitivity very much.
Another advantage I highly appreciate is its excellent price-performance ratio. You really get very good value.
My favourite developer for CHS 100 II is FX-39 II. It delivers excellent sharpness and resolution with CHS 100 II. And it is very flexible, because by changing the dilution and agitation rhythm you can perfectly change the characteristic curve of the film according to the subject contrast and your needs. It also has a very good storage life.
Best regards,
Henning
OK, I'm going to interpret that reply as follows, and don't expect (but would be pleasantly surprised to receive) confirmation from ADOX.
And the containers can be used long-term, for more films.
You get the confirmation that your interpretation is not correct...
...All the speculation here on photrio is a waste of time, as the situation in the industry is much more dynamic and complex than you think. And most of the relevant factors are not known by the members here anyway...
You get the confirmation that your interpretation is not correct.
All the speculation here on photrio is a waste of time
That is actually also how I interpreted it/what I read between the lines. Glad to know that that isn't the case.
Do you care explaining further? I do understand the demand could be lesser than for 120. (Then again the question arises, at which point the deman is enough. Even if less cameras can deal with 220 than with 120, they are still in the tens of thousands out there.) But why is the technical challenge so high? You glue paper at the end an beginning of the film strip and roll it on the same core and the same manner as with 120. I understand a technological assembly line is more complex than when I do it in the kitchen, but still, is that such a big change?
Do you care explaining further? I do understand the demand could be lesser than for 120. (Then again the question arises, at which point the deman is enough. Even if less cameras can deal with 220 than with 120, they are still in the tens of thousands out there.)
Those engineers at Kodak, Agfa, Fuji, Ilford, etc. must all have been idiots I guess. They packed the films in those airtight wrappers for absolutely no reason.
Paraphrasing ADOX's response about a very changing market & supply situation comes to mind, I don't have the direct reference to that post.Secondly, what might play a role is the combination of packaging. When I buy a pack of Portra, it's a cardboard box with the film in individual foil wrappers inside. The wrapper is the hermetically sealed packaging. I understand Adox have now opted for a plastic tub that closes hermetically as well, but can potentially be reused. I do wonder, however, how well the reuse and recycling of that packaging is managed in practice (which is in our hands as photographers), and if the environmental impact as such of the much heavier plastic tubs is really less than of the very thin/flimsy single-use foil packaging.
That's faster than shipping to the Netherlands
Adox is finishing the containers for 120 film they still have and will later on - when the machine is fixed - switch to wrapped rolls. At least, that what's written in the post of 14-5
You get the confirmation that your interpretation is not correct.
All the speculation here on photrio is a waste of time, as the situation in the industry is much more dynamic and complex than you think. And most of the relevant factors are not known by the members here anyway.
We will continue our established information policy: If we have a new product finished and ready for market introduction and shipments, we will inform you here.
ADOX - Innovation in Analog Photography.
THE BEST THINGS IN LIFE ARE ANALOG.
@retina_restoration Awesome shot.
@retina_restoration Awesome shot.
agreed - fantastic photo, really like it!!
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