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Could this thread possibly be expanded to include the two 'lesser' models of Epson scanners
can the untrained eye really tell if a pixel has been shifted ?
I'm going to take a wild uninformed guess that one might be able to get into the range of 3000 effective pixels per inch, or maybe a bit more.
It is a worthwhile thought, but no, I am not in a position to do a rigorous test, especially not one under truly optimal conditions. For example, I don't have film holders that provide continuous height adjustment, so I can't do a test at the optimal film height. I also don't have software to sharpen using deconvolution. I would also need to obtain some appropriate resolution targets and learn how to use them expertly.Why guess when it sounds like you have a basis for a good test. Can't you test this yourself?
That's because of the way JPEG compression works by breaking the image down into small multipixel areas. If you crop a JPG image and then recompress it using JPEG compression, the small areas won't match the original ones and image quality can be lost.i've spoken with art fair folks about
how digital files ( from a camera ) should never be cropped or manipulated ... because the image becomes degraded..
only reason I would convert to jpeg is for web purposes.A good reason not to use jpgs in your workflow (except for the web).
Tough to ignore when it is one of the software choices, and the selection has an impact on the resolution of the scan.There is only one reason to pay any attention whatsoever to "ppi" settings when one is scanning.
If your entire reason for scanning is to create a file that will be printed to a single size, using the "ppi" setting can help you work backwards to an appropriate scanning resolution for a file that will not need any re-sizing prior to printing.
For 99.999% of the time, the "ppi" setting should be ignored while scanning.
I'm not saying to ignore it on software that forces you to choose something - not all scanning software does. I'm saying that you need to let it fall where it may, when you control the resolution choice that does matter - the scanning resolution.Tough to ignore when it is one of the software choices, and the selection has an impact on the resolution of the scan.
What software doesn't give you a choice of scanning resolution, except perhaps the top end models that always scan at their maximum resolution? I don't understand the laissez-faire attitude of "let it fall where it may", whatever that even means, but I'm open to learning if that means better scans.I'm not saying to ignore it on software that forces you to choose something - not all scanning software does. I'm saying that you need to let it fall where it may, when you control the resolution choice that does matter - the scanning resolution.
That's because of the way JPEG compression works by breaking the image down into small multipixel areas. If you crop a JPG image and then recompress it using JPEG compression, the small areas won't match the original ones and image quality can be lost.
What scanner were you using? How did you process the scan (sharpen, etc.)? what dod you mean "except for matt/glossy surfaces"? Thanks.Getting past all of this can be confusing. It was for me. I finally tested a 6x7 negative, shot on a tripod with mirror lock up. One silver print on 16x20 paper. One negative scan at 2400ppi and matching print size. The prints were essentially identical except for the matt/glossy surfaces. I placed them under glass and it was almost impossible to distinguish one from the other.
It's always better to scan "clean" data, and then res up from there in Photoshop, rather than trying to extract detail that just isn't in the negative. For medium format B&W films I always use 2400ppi. It's plenty large.
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