What do you mean "technical error"? And what do you mean I am 3 stops off. AA wasn't expecting a density of 0.10 when rating it at its box speed. Later in the book he says he rates TX (Not TXP) at EI 200 so it's fair to say that his rating at EI 200 got him 0.10. The spot meter I used has recently been checked by a camera tech and found to be within factory specs. The camera was checked a year ago for shutter accuracy and I've never questioned it. The light source was constant.Probably a technical error.
You are 3 stops off.
EI 400 expected = 0.10
EI 400 observed = 0.01
0.01-0.10 = 0.9 = 3 stops.
Just for fun I had a few frames left on a film so decided to do a Value I density test. Using TX 120 I shot a black target on zone 1 at EI 200 and 400. Zeroing my densitometer on the film base the EI 200 reads at .05 and the EI 400 read .01.
Whyto do a Value I density test. Using TX 120 I shot a black target on zone 1 at EI 200 and 400.
Why a black target? Gray will do. White also. As long as it's placed on Zone.I, i.e. underexposed byto do a Value I density test. Using TX 120 I shot a black target on zone 1 at EI 200 and 400.
What difference would it make if it's mid grey, white or black? As long as its metered and placed on zone I.Why a black target? Gray will do. White also. As long as it's placed on Zone.I, i.e. underexposed by
{4 stops for ZI true believers | 3+1/3 stops for ISO true believers}
wit respect to the meter reading for that very target. See,e.g., this:
https://www.photrio.com/forum/threa...in-camera-exposure.164449/page-2#post-2143091
Just curious to know the Zone VII and Zone VIII densities you got.
I only tested for zone I which is what you normally test to determine your personal EI rating for a given film.
So, what if you ridiculously overdevelop your film and you get a density 0,1 above film base plus fog at an unreasonably high exposure index?I only tested for zone I which is what you normally test to determine your personal EI rating for a given film.
I don't even know where you are going with this question/hypothesis. But this is why I'm often hesitant about posting in this group. Ask a pretty simple question and next thing people are trying to split the atom and wondering if the result will be influenced by the fact that you are wearing corduroy and listening to Pink Floyd.So, what if you ridiculously overdevelop your film and you get a density 0,1 above film base plus fog at an unreasonably high exposure index?
You are 3 stops off.
EI 400 expected = 0.10
EI 400 observed = 0.01
0.01-0.10 = 0.9 = 3 stops.
What I'm merely trying to point out is that using a single point (0,1 above fb+f) to determine a "correct" exposure index can be problematic. There's what is considered a "normal" contrast and in order to evaluate it you will need more zone densities. I suspect @Raghu Kuvempunagar asked because of this, perhaps he suspected lower than "normal" contrast in your test case, which could explain the discrepancy. Generally speaking, a 2 stop speed decrease isn't what we would expect from zone system testing, it's a tad too much and people suspect some sort of technical error.I don't even know where you are going with this question/hypothesis. But this is why I'm often hesitant about posting in this group. Ask a pretty simple question and next thing people are trying to split the atom and wondering if the result will be influenced by the fact that you are wearing corduroy and listening to Pink Floyd.
You were happy with negatives, then shot some tests anyways, which suggest you should NOT be happy with your negatives? I'm just wondering the point of testing when apparently none was needed.Just for fun I had a few frames left on a film so decided to do a Value I density test. Using TX 120 I shot a black target on zone 1 at EI 200 and 400. Zeroing my densitometer on the film base the EI 200 reads at .05 and the EI 400 read .01.
In AA's book "The Negative" He says to aim for a Value 1 of 0.09 - 0.11 above fb+f. If I followed this I would be rating Tri X at EI 100. I'm very happy with my negs at EI 200 so don't plan to change anything but was wondering if anyone could explain the difference. The film was hand developed in D76 1:1 for 9 minutes, 30 second agitations.
I suspect @Raghu Kuvempunagar asked because of this, perhaps he suspected lower than "normal" contrast in your test case, which could explain the discrepancy.
Oops. Never mind. Post deleted due to own stupidity.I didn't quite get you. Isn't 0.10 - 0.01 = 0.09 and not 0.9?
It isn't necessary to use a grey card - anything with a reasonable amount of reflectivity and some observable texture - a grey towel being an example - is a good subject.That's a good point, a Kodak gray card has a known value, but picking what I might think is a zone target 1 might be 1.5 or 2, black is a very hard color, or lack of color to judge.
Sorry, for the confusion, I deleted the post.What do you mean "technical error"? And what do you mean I am 3 stops off. AA wasn't expecting a density of 0.10 when rating it at its box speed. Later in the book he says he rates TX (Not TXP) at EI 200 so it's fair to say that his rating at EI 200 got him 0.10. The spot meter I used has recently been checked by a camera tech and found to be within factory specs. The camera was checked a year ago for shutter accuracy and I've never questioned it. The light source was constant.
AA says 0.09 - 0.11. I got 0.05 at EI 200 which is which is 1 1/3 stop from 0.09. Not 3 stops. (I don't know anyone who rates B&W film at its box speed.
It isn't necessary to use a grey card - anything with a reasonable amount of reflectivity and some observable texture - a grey towel being an example - is a good subject.
You then place your reading from that subject on the Zone that you are seeking to target.
Yes.So a gray towel that could be zone IV to VI will provide a correct zone V reading?
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