dxqcanada
Member
I had the Ricoh Diacord G ... the lens is really good.
The bellows in the Mamiya TLRs and the bellows in the Mamiya RB series are really robust. I also think that they are much less prone to wear or damage, because neither of the Mamiya cameras uses a bellows to permit folding or closing.And we're back to multi-lens heavyweights again. I think a decent C220 with two lenses might cost just as much as Bronica ETR-S (again) or Mamiya 645. And to be honest, bellows scare me. I know they are easy to service and repair, but I've had a sad accident with Agfa Karat a few years ago.
Then they must be built like a tank. According to the information on the net, although there is a difference in weight between C220 and the rest, the difference in physical dimensions between C22, C33, C220 and C330, so I might just as well go for the first viable opportunity. But it still feels like heavy and wrong.The bellows in the Mamiya TLRs and the bellows in the Mamiya RB series are really robust. I also think that they are much less prone to wear or damage, because neither of the Mamiya cameras uses a bellows to permit folding or closing.
The C330 that I bought from the store I was working in in 1976(?) - it was the store demonstrator - has been trouble free from the beginning, and the bellows shows no sign of damage and almost no sign of wear. As it has two shutter releases, I can actually use it with just one hand. When I had a C220 it required a finger from my other hand to release the shutter.
I think it's a universally accepted fact that Rolleiflex is better than everything else. However, they cost a fortune. Ikoflex is gaining reputation as well, I think, because the prices are increasing.I've had a Rolleicord, two Autocords, a Yashica Mat (the first version, a Yashica 635, several Rollei 3.5 Tessars, a Rollei 2.8C Xenotar, a Rollei 3.5E Planar, a Rollei 3.5F Planar, an older Ricoh, and a Zeiss Ikoflex. I still have the Autocord, the 2.8C and 3.5F Rolleis, and the Ikoflex. The Yashica Mat was a good camera and the Rollei Tessars were good cameras. The Ikoflex is an overlooked jewel. I love the Autocord and, of course, the 3.5F Rollei is incomparable.
And Ho, Ho, Ho to you on this Christmas, oops, it is after midnight, so on this day after Christmas. My pick would be the Rolleicord, in usable condition, followed by the Autocord, also in usable condition.. Of the two, I had rather have the Rollei. Though less in price than a Rolleiflex, the Rolleicord is, in my opinion, the same quality as most Rolleiflexes and better than some. There is a reason why its price is more than the others and that reason is not hype......Regards!Good day and Merry Christmas, apparently.
I have a small task for my brain - to find a cheap and also a decent TLR camera for myself. "Cheap" means Under 100$. I've been doing some research and so far have found only a few of such cameras, which are:
1. Yashica D and 124
2. Minolta Autocord
3. Rolleicord
I have picked those since they don't have questionable quality, whether built or optical. Sadly if I want any of those in working condition with fungi-free glass I might not find them within designated budget. Maybe I overlooked some other cameras that qualify? Any advise is appreciated!
P.S. Two things I'd like to mention just so we can stay in 120 Format TLR category and not consider other models:
1. I want it to be 120 format specifically due to scarcity of "Type 127" film and not much improvement of 40x40 mm over 36x24 mm;
2. I used to own Bronica and it was a wonderful machine but then I started acquiring its lenses and accessories which resulted in a rather heavy backpack and completely neglected my 35 mm gear. I don't want it to happen again so SLRs are off the table (also because of the price, of course). And I also wouldn't want a rangefinder with bellows and such.
Thank you
Mike
I'm glad to know the price is not due to a hype. From my impression Rolleicord was made for those who couldn't afford Rolleiflex, back when they were still in production. But it's true for today as well.And Ho, Ho, Ho to you on this Christmas, oops, it is after midnight, so on this day after Christmas. My pick would be the Rolleicord, in usable condition, followed by the Autocord, also in usable condition.. Of the two, I had rather have the Rollei. Though less in price than a Rolleiflex, the Rolleicord is, in my opinion, the same quality as most Rolleiflexes and better than some. There is a reason why its price is more than the others and that reason is not hype......Regards!
I understand technical advantages of Planar over the older designs, but for some reason I like Tessar (Xenar in this case) better. It's not about the difference in cost, or quality, I just like its character more. Maybe I'm being irrational, but on larger scale whole film photography can be considered irrational from certain point of view.Yes, the Rolleicord was made for those who could not afford a Rolleiflex. That was me about 40 years ago when I bought my used Rolleicord V with the f3.5 Xenar lens. Now I have Rolleiflexes with Zeiss Planar lenses. In viewing normal sized prints I can see no difference between pics taken with the Xenar or Planars. The ‘cord is slightly smaller and much lighter too.
In scanning your thread, this is at least the second time you have sort of apologized for being an amateur. Most “professional” photographers produce rather humdrum stuff. Most likely, the photographers that you admire are amateurs supported by healthy trust funds that allowed them to be full time amateurs. However, there are some amateurs who must pay the rent and do professional jobs, while maintaining the spirit of an amateur. I have friends in both camps.It's a great camera, undoubtedly versatile and probably a professional grade tool, which I won't be able to use at full extent. Not to mention tht C330 weights around as much as my Bronica ETR used to. Of course I'll keep an eye out for it, just in case if it shows up at a bargain price.
Maybe I'm not looking for it properly, but all Ricohflexes (including a Super one) seem to have Anastigmat lenses, which should be a three element lens. Is there one with four element lens?
You should visit Georgia then, we have a few metal ones with a nameplate in Cyrilic.
Even the Sun will stop working eventually, nothing wrong with that. So far Yashica seems to be a good option. If I could only find one with Yashinon.
yeah they are very nice, at least as nice as an old rollei / auto cord ...Really? Those things are dime a dozen over here, although older (metal) samples Lubitel-1 and Lubitel-2 are hard to find
Well, there are objective reasons which define me as an amateur who doesn't really need a pro grade items as I saw during past two years of changing 35 mm cameras one after another. And frankly I don't have a photographer who I admire. It's just my hobby which helps me to keep a healthy way of life + create something in the process.P.S. Don’t waste your money. Buy a quality camera and grow with it!
yeah they are very nice, at least as nice as an old rollei / auto cord ...
შობას გილოცავთ !
john
I understand technical advantages of Planar over the older designs, but for some reason I like Tessar (Xenar in this case) better. It's not about the difference in cost, or quality, I just like its character more. Maybe I'm being irrational, but on larger scale whole film photography can be considered irrational from certain point of view.
It's always on my mind. Many thanks!In all of these type of conversations, remember that condition is the most important thing. Mechanical functioning, alignment, and lens condition can make a mediocre camera produce better photos than any 'high end' camera that is in bad condition.
I think it's a universally accepted fact that Rolleiflex is better than everything else. However, they cost a fortune. Ikoflex is gaining reputation as well, I think, because the prices are increasing.
I agree with you, I mostly sit and wait when something shows up at Roberts. Unfortunately local market is scarce and I simply have no other chance than online shopping.Universally accepted, perhaps - but not necessarily universally TRUE. I believe my Minolta Autocord performs better than any of the Rolleiflexes I have owned (and subsequently sold). If I could have but one TLR it would be the Autocord, without hesitation. The Rokkor lens is sharper and perfoms better (IMO) than any of the Rolleiflex lenses. Opinions vary, of course.
As for affordability, I was recently offered a pre-war Rolleiflex with a 3.5 Tessar lens, all in good condition and fully functional, for $125 USD. (Yes, I bought it and I'm glad I did)
I will also say that fleabay is a terrible barometer for valuing cameras: prices for things like the premium config Rolleiflexes are often seriously exaggerated, IMO.
there is a nice side to side photo of a mamiya c220 and a rolleicord here https://www.formatomedio.eu/clasicas-tlr/mamiya-c220-vs-rolleicord-va/
the mamiy IS bigger and heavier, but it's not the same class of camera. the mamiya has a 1:2.8 lens, it has bellows for close-up work and the lenses are interchangeable. and BTW : a 1:2.8 rolleiflex only weighs 200gr less.
thanks! I was never able to find a photo like that. According to the specs I could find the 220 series is smaller than the 330 series, but not by a huge amount. None the less, when I look at the numbers my nikon F2 is only a little bit bigger than my pentax MX, but in hand the difference is huge, so until you can see comparison photos, or hold both in your hands, its hard to internalize the difference. I'd still prefer the size of the smaller cameras, but really, you're right, they are very different cameras. Given that the Mamiyas are selling on the cheaper side of things (well, compared to the Rolleis at least) it's worth considering if the size isn't a deal breaker. I may keep my eyes out for one again.
Edit: this photo make the C330 seem huge compared to the C220. Part of it is perspective--the C330 is closer, but I think the C330 is still bigger:
https://www.flickr.com/photos/115932238@N03/35536752706
One thing that bothers me is that the viewfinder, or whatever it is called, is outright dark. Not dim, but dark. So I will work my way to a brighter focusing screen when I can. Until then, I need to take it for a walk and see what it can do.
The focus screen on YashicaMats is actually very good. Not the best but very usable. You probably need a new mirror. Seller marty1107 is the guy you want to search for on Ebay. Installing the mirror is simple- it self-registers to cast brackets so no alignment or adjustments needed.
While in there, you'll see the two spring clips that hold the screens in place. Yep, two pieces. Use a screwdriver to push the center of the spring down and tilt it forard- watch out for it flying away.The top piece is glass, smooth on the top side (to the viewer) and ground on the bottom. The lower piece is plastic, with the fresnel casting to the ground glass surface. The ground glass can be washed in warm water and soap. The plastic is more delicate, warm water and soap is also fine but no scrubbing! Be sure everything is dry before reassembly- any liquid between the two pieces will be there for a long long time.
Clean the back of the viewing lens while you have it open.
Thank you. I wanted the older model with knob advance, something like Yashica D, but it is what it is. No serious complains.Enjoy! The YashicaMat is a very nice TLR with a very good lens.
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