ah yes the Man Ray is also an interesting fellow for sure, but again not the name I would introduce people to first. But that's just me, and I like Man ray. I even have his films, though I can't watch them because they maketh me dizzy.
But I can see both sides. I'm not so much defending AA as the first one that should be taught, mostly just explaining why he is. He was certainly one of the early ones I was exposed to and I followed that to EW and Man Ray and many others and actually came to think of AA as rather dull for many years. But more recently I've come to appreciate him again, for what he is. I don't think there is one name in photography that should be revered or remembered above all others. I could pick my favorite photographer, but I couldn't pick one as "most important"
But I can see both sides. I'm not so much defending AA as the first one that should be taught, mostly just explaining why he is. He was certainly one of the early ones I was exposed to and I followed that to EW and Man Ray and many others and actually came to think of AA as rather dull for many years. But more recently I've come to appreciate him again, for what he is. I don't think there is one name in photography that should be revered or remembered above all others. I could pick my favorite photographer, but I couldn't pick one as "most important"
hey wayne
not necessarily "interested" in him
but i think it is important for any student.beginner &c
to know there is more to film making than michael moore and robert gardener
just as there is more to photography than aa, hcb, siskind or weegee.
that is why i suggested early in the thread someone from the 20s/30s like
man ray, who pushed photography beyond what people thought was possible.
too many people, old, young, students, professionals / whatever forget
the world exists beyond the blinders they put on themselves
( or someone else/their peers, online friends, work, limited experience/knowledge has them wear ).
but that's my take and i'm often wrong
john