A front-focusing 50mm f/1.5

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loccdor

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I want to get more use out of my Jupiter-3 50mm f/1.5 lens. I know the ideal is to get it shimmed by a professional, let's leave that aside for a moment.

What I learned about it so far:

1) The lens at f/1.5 front-focuses by approximately 5 cm at the minimum focus distance of 0.9 m with the Kiev 4 rangefinder.
2) The lens at approximately f/4-f/5.6 is focusing accurately (focus shift).
3) I mostly only want to use this lens wide open, for its character. I have a Jupiter-8 when I need a more technically perfect shot, which has no focusing issues.
4) Each f-stop down shifts the focus at the MFD away by approximately 1.5 cm.

The markings for a 5 cm focus shift align with the DoF scale mark at f/4.

IMG_9598.jpg
IMG_9599.jpg


I'm thinking I'll focus in the rangefinder, look down at the lens and focus out until the f/4 mark. Then things should be accurate for a wide open shot. Kind of like how you'd adjust for the infrared mark.

IMG_9600.jpg
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That would imply, by these pictures, that when the camera is focused on infinity wide open, it's actually at 15 meters.

Does all this seem to be sound logic?
 

Hassasin

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And how did you determine the 5 cm focus "shift" at minimum distance ?
 

brbo

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Yes, you can learn how to "focus out" on the lens or perform "chicken head" move. I do the latter with my Sonnar that is optimized for f2.8-f4.
 

Rumbo181

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Just an idea.

I have a number of Soviet lenses with LTM mount. When I use one of them on a Leica and focus with the rangefinder on a target at 2 m, I might read 1.8 m on the lens scale — just as an example. If I repeated the process at different distances, I could get a correction curve for the lens. Actually the error is always predictable.

For instance, imagine that at short distances you get a −10 % error. Then:
  1. Focus using the rangefinder.
  2. Read the distance indicated on the lens.
  3. Refocus the lens to the previous reading +10 %.
This way you can still use the camera’s rangefinder without making any physical modification to the lens.
 
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loccdor

loccdor

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If I repeated the process at different distances, I could get a correction curve for the lens.

Thanks. Since the distance markings on the lens are already on a "curve", wouldn't determining a constant offset mark (as exists on infrared lenses) be the same as adding a % to the distance?

how did you determine the 5 cm focus "shift" at minimum distance ?

Test shot wide open at minimum focus distance. The lens focused on something approximately 5 cm closer. My other lenses with this rangefinder focus well.
 

Rumbo181

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Thanks. Since the distance markings on the lens are already on a "curve", wouldn't determining a constant offset mark (as exists on infrared lenses) be the same as adding a % to the distance?

Actually, I should thank you for your post.

At first reading, I took for granted that focus shift was just a generic way of referring to a mismatch between rangefinder and lens information.

Then I read it more carefully and realized that “focus shift” is actually the name of a known and documented effect that happens with some fast lenses at wide apertures, shifting the focus as you stop them down. I certainly didn’t know that — so, thank you.

Furthermore, I realized that I should read more carefully. This is not a language problem, but rather a too-much-Internet problem. Thank you again.

What I proposed was the centuries-old method of recording the difference between an observed measurement and the real one, keeping that difference in a table so it can be used to find the true value from the observed one. If I understood your initial post correctly, this is essentially what you did.

I used a constant difference — a percentage — just as a way to illustrate the method, that’s all.

And now, two considerations:

I suppose that focus shift depends on the difference in f-stops (which could be fixed, let’s say from f/1.5 to f/8), but it’s not certain that it has a fixed relationship with the lens–subject distance. I believe it diminishes with distance.

Actually, I did the classic thing: I asked AI, and it brought back this little table:

Cause Type of change Δv in image plane Δu in object space Fixed mark valid?
🔴 Infrared light Difference in wavelength (constant for λ≈800 nm) Constant Variable but proportional ✅ Yes
⚪ Focus shift Spherical aberration (dependent on distance and aperture) Approximately constant, but varies with u Tends to 0 at infinity ❌ No
Δv is the variation in the image plane (the negative), and Δu is the variation of focus in the lens–subject distance.

To summarize: a fixed mark is not really valid (hence the oddity of your last two pictures), and the effect of focus shift becomes less worrying as the distance increases. I suppose that at around 5 m it would be hardly noticeable — though of course, it’s always possible to do a test to find the distance at which the effect can be safely ignored.

I hope this helps.

By the way, I have two Kievs with their Jupiter 8. Is Jupiter 3 a good complement?
 
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loccdor

loccdor

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By the way, I have two Kievs with their Jupiter 8. Is Jupiter 3 a good complement?

Jupiter-3 and the Sonnar 50mm f/1.5 it's based on is a much more temperamental lens than the Jupiter-8, definitely not for everyone, but it has a very unique character. Wide open there's nothing quite like it. If you use it stopped down, you're better off with the 8. Sharper across the frame, less flare, no focus shift.
 

reddesert

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I want to get more use out of my Jupiter-3 50mm f/1.5 lens. I know the ideal is to get it shimmed by a professional, let's leave that aside for a moment.

What I learned about it so far:

1) The lens at f/1.5 front-focuses by approximately 5 cm at the minimum focus distance of 0.9 m with the Kiev 4 rangefinder.
2) The lens at approximately f/4-f/5.6 is focusing accurately (focus shift).

...

That would imply, by these pictures, that when the camera is focused on infinity wide open, it's actually at 15 meters.

I have not used this lens. Focus shift is generally caused by (zonal) spherical aberration. Spherical aberration makes rays come to focus not all at the same distance along the optical axis, and "zonal" meaning that the different radial zones of the lens exhibit different amounts of spherical aberration, which is a reason that stopping down changes it (in the makes-it-go-away sense). This article is kind of an ad for his content but discusses the topic: https://diglloyd.com/articles/Focus/FocusShift.html

Aberrations themselves, including spherical, depend on focus distance: this is one reason that fast lenses optimized for the 1:10 to infinity range often don't do well at macro distances. So the amount of focus shift is not guaranteed to be constant with distance. It's likely less at infinity than at minimum focus distance, but I don't know. So you shouldn't assume that the lens has focus shift from infinity to 15 meters, based on what's happening at MFD. For critical use, it would have to be tested at/near infinity.
 

Rumbo181

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Jupiter-3 and the Sonnar 50mm f/1.5 it's based on is a much more temperamental lens than the Jupiter-8, definitely not for everyone, but it has a very unique character. Wide open there's nothing quite like it. If you use it stopped down, you're better off with the 8. Sharper across the frame, less flare, no focus shift.

Thank you for the information.
It seems like a good complement, but you need to know what you’re dealing with.
I hope you post some pictures taken with the Jupiter 3 soon in the gallery!
 
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loccdor

loccdor

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wiltw

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I want to get more use out of my Jupiter-3 50mm f/1.5 lens. I know the ideal is to get it shimmed by a professional, let's leave that aside for a moment.

I'm thinking I'll focus in the rangefinder, look down at the lens and focus out until the f/4 mark. Then things should be accurate for a wide open shot. Kind of like how you'd adjust for the infrared mark.

That would imply, by these pictures, that when the camera is focused on infinity wide open, it's actually at 15 meters.

Does all this seem to be sound logic?
Have you actually TESTED?
  • Set lens to MFD and (with wide open aperture) shoot a target (ruler) extending out from focal plane of camera and view 8x final print to determine what distance mark along ruler is truly IN FOCUS
  • Set lens to 10' distance and (with wide open aperture) shoot a scene with objects placed precisely at intervals (in front of, and behind object at 10') and view 8x final print to determine which object is truly IN FOCUS
 
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