Tronds, you're taking this all too personally. These guys are just trying to help. You've made several assertions regarding the working properties of your formula without the evidence or scientific basis to back them up, so you have to expect to be challenged a little. Also, PE is one of the last people to ignore on APUG, particularly if you're interested in photographic chemistry.
I stopped reading when it just got rude.
There is no synergy really mentioned here nor shown in the article to my satisfaction. He does, however, make a good case for AA being an effective antioxidant.
Thank you for the elaboration.
It appears that AA is a good antioxidant, and that this function causes most of its supposed synergy with Phenidone. But it has storage issues. Are you aware of other effective antioxidants other than sulfite? Perhaps the AA could be replaced with something else that's more stable. Of course, if Kodak could have done this, they would have. And they didn't, so obviously they believed that AA was the best compromise.
Another paradox that I don't understand:
POTA is well known for its high fog level, but PC-type developers have relatively low fog. Why? Is AA also an anti-foggant or restrainer? Or is the high fog simply due to longer development time needed to attain reasonable density? Would continuous agitation help POTA reach desired density sooner and with lower fog? Many questions because I'm still learning about all this...
Mark Overton
Thanks for correcting me on that.
Very important.
Enligsh (US or UK variant) isn't my first language, so you have to live with that.
If you can't stand a few spelling errors, please stop reading my threads/comments.
You have now proved that you can safely be ignored.
Welcome to my ignore list!
Thank you for the elaboration.
It appears that AA is a good antioxidant, and that this function causes most of its supposed synergy with Phenidone. But it has storage issues. Are you aware of other effective antioxidants other than sulfite? Perhaps the AA could be replaced with something else that's more stable. Of course, if Kodak could have done this, they would have. And they didn't, so obviously they believed that AA was the best compromise.
Dismissing/ignoring PE would be a mistake. He's probably done more testing/product development than every APUG member combined. He freely offered his help, pointing out possible problems with your formula. You should seriously pay heed, instead of defensively rejecting his comments out of hand.
And welcome to MY ignore list Bozo!!!
OXIDATION, for Christ's sake!
@Photo Engineer: This post is really interesting. First, I am no chemist so I'm still trying to wrap my head around this. I often use a very simple developer with 20g/L borax + 6g/L ascorbic acid + 0.15g/L phenidone and I'm curious as to how/why it works. I did a few tests and found that neither borax + ascorbic acid or borax + phenidone showed any discernable activity (film clip tests) but once combined activity was obvious (I use this as a 7-8 min developer). I also have a liter of this that is many months old and works as new. Changing the amount of ascorbic acid does not significantly affect activity (up to a point) but changing the amount of phenidone does show significant changes.
Based on what's written above, it sounds like this is both superadditive and ETA ... I'm not sure. If you can explain this in layman's terms that would be greatly appreciated.
........It might seem far-fetched to you, but this will be your future too, Kodak is fast closing shop, Agfa is history already, Rollei, Ilford.... all of them will be history, and it will be less than a decade, because ALL or the world is going digital, and as the market continue to shrink, companies keel over and goes bankrupt, just like what happened to Agfa a little less than a decade ago.......
I think "Bozo" was uncalled for, and inappropriate. I think your English is fine, successfully transmitting your message.
I do admire your attempt at developing your formula. I do take issue with your "NOT" comment, regarding PE's knowledge. The guy's spent most of his life on this stuff, has been a wealth of information to members of this site, and rejecting his comments has made a few people defensive.
There is the potential for interesting discussion on why you're getting the results your getting, but some of your responses have been a bit flippant.
You're basing this on a few scanned images? All that shows is the developer forms an image. It tells us nothing about speed, contrast, grain or acutance. There are a million home brew formulas out there that will develop film. Image characteristics are another matter entirely.
Exactly. If you have access to commercial developers you are better off using them as a lot of time has been spent in exhaustive testing. For those not so fortunate then you must mix yor own.
But Tronds, the onus is kind of on you here. You proposed a formula and made claims about keeping properties, sharpness and graininess, some of which would appear to conflict with what is known about how these ingredients work in combination. YOU have to show the results, not just say it's good stuff and tell others to do their homework and tests.
Real chemists? Who??
Something was uttered about smokescreen and handwaving, the one that said that had just proved he did not understand what is the subject here, and did not know how to ask a simple question on how to enlighten himself.....
Seems to me somebody is envious, and suffers from the NIH-syndrome, instead of grabbing the opportunity to try this for oneself, and be a positive force, pitching in with testing this with all kinds of film types, and maybe also offer expert advice on how to improve on things, in case that would be possible.
But that would include a dirty word of course : "work".......
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