a disaster "shoot"

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Ed_Davor

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Just wanted to share something that turned out to be a biggest disaster since the first time I touched film.

Anyway, I was trying to make this kind of crazy photograph of my 501 jeans, that was supose to look like some kind of a stylish advert, but just for fun.

It involved 7 meters of burlap for curtains, some linoleum, a couple of props, my 501 jeans, and a couple of tungstens

First I spent like one and a half hours just trying to set up the burlap curtains sweating like a pig in a room with no air conditioning.
And finally I did it, so I figured out what I'm going to shoot and how I'm going to light it, and I was "ready"

Then I spend like 20 minutes framing and focusing the MF camera.

I wanted to shoot it on Kodak Ektachrome 64, because I wanted a kind of a retro look, but I had some Provia 400F in the camera, so I figured, I'll take it out somehow, roll it back tight in the dark, but before I do I'm just going to make one shot because this is an exelent chance for comparing filmstocks.

So I set my 35mm SLR to ISO400 and metered the scene, and I shot one frame of Provia on the MF camera.

Then I went to the bathroom, closed the door (it's absolute dark in there, or is it..?) and took the film out, rolled it back to original position, and then turned around, and saw something glowing on the floor.
I looked closer, and it was an outline of a little rug on the floor lit by some light comming under the door.
I supose I should have waited for my eyes to adjust, I might have flashed a couple of frames of film.
Plus now that I think about it, changing midroll may not have been such a great idea anyway, but we'll see when the film gets developed.

Ok, so I remember, Jesus I forgot to take some Ektachrome 64 out of the deep freezer.
So I quickly took it out and it was freezing cold, so I though: what to do, what to do..

So I warmed up some water, and put the candy wraped roll in the warm water before exposing it to air. It warmed a bit up, so I think it didn't condensate when I opened it up.
Maybe that too was stupid, but I don't know

So finally, I put the film in the camera, metered again, and took a few photographs on EPR, I was really tired at this point and was just getting started.

After nearly burning up a light gel due to "unpractical" use of barn doors, I managed to get 5 shots.

Then It took me like a half an hour to put everything away, and finally I sit back all sweaty and tired, but satisfied.

Then it hit me...

Remember folks that I first used Provia 400F? Yea, and I set my SLR iso to 400, but forgot to change it to 64 later.

So I was like: F..CK !!

To make things worse, It was night, and when I finished it was like 3 am, which made me even more pissed.

Anyway. The whole night I made only one picture, and then probably flashed it in the bathroom, and the ones that were supose to count were underexposed by almost 3 stops on a film that has zero underexposure latitude.

It's all just like an episode of mr. Bean

I'm going to have to do this tomorow again.

p.s. Oh, and among other things, I think I found out I'm alergic to jute
 

Kino

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My God, it sounds like a shoot I would have! :wink:

Good luck with your exposures!
 

Nancy

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You went through all that "just for fun"? LOL Well, I dunno, but I had fun just reading about it.
Love Mr. Bean!
 
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Ed_Davor

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Well by "for fun" I mean "amateur work", but it's more than just fun, I life for this kind of stuff :smile:
 

Gay Larson

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I can totally relate, it sounds like something I have done. Then too tired to do it right. The shot that got away
 

digiconvert

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:rolleyes: I thought ALL still life shoots were like that, am I missing something ?
 

gnashings

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You're not alone.
And DO NOT put that film back in any camera - I don't care how tight you think you rolled it (aside from the possible light contamination), you will never get the paper and the film aligned properly and it will jam up whatever camera you stick it in, short of a Holga or a Lubitel. Guess how I know:sad:

Peter.
 

Gay Larson

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gnashings said:
You're not alone.
And DO NOT put that film back in any camera - I don't care how tight you think you rolled it (aside from the possible light contamination), you will never get the paper and the film aligned properly and it will jam up whatever camera you stick it in, short of a Holga or a Lubitel. Guess how I know:sad:

Peter.

Learning come in many forms, right???
 

gnashings

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Yes, but in my case it seems to mainly come in the "from your mistakes" form:smile:
 
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Ed_Davor

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gnashings said:
You're not alone.
And DO NOT put that film back in any camera - I don't care how tight you think you rolled it (aside from the possible light contamination), you will never get the paper and the film aligned properly and it will jam up whatever camera you stick it in, short of a Holga or a Lubitel. Guess how I know:sad:

Peter.


well I did worse things. This roll was just unrolled to the first frame then rolled back.

When I first got the camera, I practiced with a practice roll which was unrolled and rolled all the way many times, , yet it didn't do any damage to the camera.

But I'd be happy to trash that roll because I couldn't live in suspens wheather it will turn out okay or not due to light contamination.


thanks for the advice
 

Sandeep

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I was waiting for the exciting part of your story where the tungsten lights set the curtains on fire!
 
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Ed_Davor

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Sandeep said:
I was waiting for the exciting part of your story where the tungsten lights set the curtains on fire!

lol

I do have heat shields for protection of gels, but I don't bother using them, because I haven't seen any melting or fading of gels, and I have 8 more untouched sheets in storage, so I just don't see the need.
 

Sandeep

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Just be careful and can't hurt to have one of those small fire extinguishers handy.
 
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Ed_Davor

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UPDATE

Ok, now it's the second night and second try, and I've finished it, this time I was over (and put everything away) by 2 am, and I did everything right this time.

The curtains were ironed this afternood, so they looked a lot better than yesterday.
Plus I arranged space much more efficiently this time, so It was easier to get around and put lights.

First I made some strong coffee to keep me up on my feet, then I continued where I left of on the underxposed EPR roll from yesterday, set up the lights again, and this time everything was perfect. The set, the lights, and the coffee.

I opened up another roll of Provia just to compare with EPR and shot a couple of shots there too.
I'm going to trash the old maybe-flashed roll of Provia after all
Then I shot some 35mm on EPY and EBX
I planed to shoot some Portra 160VC too, but I forgot about it, but nevermind
that

My first MF still life shoot is done. I love MF!!!. Plus, shooting 35mm never felt so good, because now I use it when I chose to, and not because I have no choice.
 

Gary Holliday

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I had a disaster night too. Didn't bring an extra reel into the changing bag and of course I've only got the dodgy reel. Put the developer in, I notice that the tank is cracked and chemical is leaking. Of course I didn't put an extra 100 ml of chemical in this time.

Try to hang the films on an improvised line and that collapses. Realise that I've no negative sleeves to store the dry negs and it's a long drive to get sleeves. If they still sell them! Decide to follow manufacturers instructions this time and I've got airbell marks on my negs!! Thank god for alcohol.
 
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