lxdude
Member
You can't be Sirius!I use both black & white and color. If I could not use Portra or Ektar, I would probably be sucked into the black hole called "digital".
Steve

You can't be Sirius!I use both black & white and color. If I could not use Portra or Ektar, I would probably be sucked into the black hole called "digital".
Steve
I recently purchased a new cable release and a miniature spirit level for the camera hotshoe (for architectural shots).
Both packets said, in huge letters...... "DIGITAL" !![]()
So survival is not possible without ECP sales being very high?
ECP, ECN, P&S Neg, Neg Color, Color Papers, Neg B&W, misc.... Kodak sales from highest to lowest.
Cine Print, Cine Neg, Pos Color, Neg Color, Color Papers, Neg B&W, misc... Fuji sales (estimate) from highest to lowest.
PE
P&S Neg=point and shoot neg, i.e., disposables? Or "consumer" film?
Kodak's Pos color is so low it falls under misc.?![]()
Looks like I did it the wrong way round then!
Steve.
Kodak and Fuji will both reach a point where their film production becomes, for all practical purposes, unsustainable ... I would think that it might take place in the next 10 years.
....
So, there will come a point at which color film becomes a rare item and B&W will probably be our best and nearly only choice. Hand coating of film, plates and paper will become a viable option. Quality manufactured film and paper will not vanish but will become a luxury item or a boutique item. Hand coating may become popular again.
PE
Is 35mm reversal ever shot in camera on a fairly large scale project?
Not that I am a big fan of their products, but how much of Fuji's income is on the movie film in comparison to Kodak? How well would Fuji survive without their movie business?
Is 35mm reversal ever shot in camera on a fairly large scale project?
I don't remember it already being discussed in this thread but do you happen to know if there has also been a good decline in the demand for camera films lately?
I know I'm in a minority here, but I care more about the availability of E-6 than C-41. In your view, PE, does slide film benefit from the economies of scale offered by the cine business, or is it already pulling its own weight, as it were? (I assume it's making *some* money for Kodak and Fuji, because, you know, still available.)
Would a real crash in the cine film market have serious fallout for slide films---because of chemical availability, or whatever---or is it really only an issue for the C-41?
-NT
Nathan;
You are totally off the mark. Sorry.
E6 products are lower at EK than C41 products in terms of consumption, but not in production.
Look, you guys talk a lot but have little real interest or there would be more people willing and able to make hand coatings and some would be interested in system engineering. I can count on one hand, people REALLY interested in this. Most others vanish when the going gets tough. The proof of this is that out of the entire membership of APUG only about 5 people are actually making coatings on their own!
When it takes me a week to come up with a long post on this, for just 5 people, is that worth it? It is easy to give glib answers, but hard to stick it out and finish a hard read of what is needed to make a film or paper.
Sorry for the rant!
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