Have any of you tried substituting dimezone s for phenidone in 510 pyro? What quantity of dimezone s did you use? Several threads I've read around the internet complain about low shadow detail and poor stability (in spite of being a water-free concentrate), both of which dimezone s purports to be able to (help to) solve. I've read a bunch here about how much more dimezone s to use in relation to phenidone, but I want to know if anyone has direct experience.
- Mark Overton found a 2x increase is necessary here. Although that might have been a result of the low pH of the developer he was formulating.
- In Mocon and its relatives by Mark Overton, ratios range from 1.6x to 1.33x link here
- Kobin and Craig Schroeder note an un-sourced ratio of 1.44x here, but in that same thread both Bill Troop and Photo Engineer both report that Kodak used equivalent quantities of each.
- And finally the molecular weights are different by a factor of 1.27x
Of course, to further complicate matters, Jay DeFehr himself boosted the amount of phenidone in his later modification to the 510 pyro recipe to 0.37g (per 100mL of concentrate) from 0.25g, a factor of 1.48x. Referenced
here and
here, although the original source has disappeared. Previous photrio discussion
here.
Any help or advice is greatly appreciated. Unfortunately, I don't have a color densitometer to dial this in myself. (Does anybody have a recommendation for a reasonably priced one?)