Btw, why are vacuum tubes so good for sound?
I would really like a detailed, yet in layman's terms explanation.
Vacuum tubes handle over-driving differently than solid-state devices. When a vacuum tube amplifier is driven to "clipping" it "clips" softly. When a solid-state amplifier is driven to clipping it clips abruptly with massive distortion. It is the soft-clipping that makes vacuum tubes more appealing to guitar players, as the distortion from overdriving can be controlled very well, and produce sound that guitar players like.
Freaking crazy luddites.
Next they will be bringing sailboats, bicycles, brick stoves, analog clocks and classic guitars back!
They will stop at nothing to burn computers, turn the clock back and return us to the stone age!
I can only hope that should film production cease by Kodak, other international manufacturers will continue to supply us with film.
It is very similar to the way digital and film handle highlights.
My sentiments are quite other: I wish Kodak to continue and that all the small and largely incompetent suppliers go belly up at the soonest opportunity. In my book the quality of product from small film producers is awful.
I am not sure the analogy holds: it doesn't take much technology to make an audio/receiving vacuum tube; the appeal of vacuum audio isn't performance but rather the lack thereof - the cyanotype of the electronics world, as it were.
Are there any tube systems left on the market which you can purchase new?
How much do they go for? I don't really know much about tubes, except that I liked the sound of a custom built setup my dad had a long time ago.
The crazy audiophiles that buy tube amps use old tubes that are no longer made, because they "sound better" than the new ones.
If you ask me, it's all expectation bias.
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