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Which is... ?
Evidently, they want a bad Instagram feed.
Which is... ?
Apparently not much.Which is... ?
Which is... ?
that's a real large generalization you have made.
typically apug members hate art schools, their graduates, "conceptual art",
photographers and artists who "have made money or have made it" and photographers
who call themselves or other people call "artists" ... so fits right in i suppose.
its too bad...
yup, i have generalized a lot by saying that, but i have been here for quite a long time
and seen countless threads where people bring up these subjects and they go on
for pages and pages as apug members go to town.
look up the threads about cindy sherman, peter lik kinkade, art schools,
art galleries, MFA programs ... "artists" ...
it is too bad people are so narrow minded
because there have been a lot of people who are hella-artists who have been here
but they aren't anymore ... because of the peanut gallery.
Good observation, I hadn't considered that. I will say though that in my view even photos from a series should be able to stand on their own. Most of these don't. The hockey player, the baby with red feet, and the building front with cars in the bottom intrigued me.I wonder how many of these pictures were part of an essay. Most of them might make sense in a series or essay, but hardly any can stand on their own.
Certainly more expressive than the MFA's. You would expect the MFA's to have a more "mature" quality to them, most don't.To put the work from the Yale MFAs into perspective, below is a link to a show from Venice Arts in Venice, LA.
They provide free art educational programs for low income and/or under represented communities.
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The ages of these students vary from pre-teens to late teens. Whose work do you prefer? The kids at Venice Arts or the Yale MFAs ?
I've been a professional artist for more than 20 yrs now. I have a BFA in photography and an MA in Literature. I don't hate artists and I am not a narrow-minded anti-intellectual. That said, I understand where a lot of the hostility to the established art world comes from. Its not jealousy or sour grapes. The truth is that the art world long ago divorced itself from the culture. That's true in the United States and in Europe as well. The art world today seems to be caught up in a furious competition to see who can come up with the most vapid, empty, culturally empty and irrelevant work possible.
Art in the past was part of the wider culture. You didn't need a PhD in art history to understand Rembrandt's Crucifixion scenes; Everyone, even illiterate peasants, understood those paintings and engravings because they depicted something that was part of their religious beliefs. Other artists did work that depicted scenes from their national history, work that was just designed to be beautiful (eg. landscapes), and others did work designed to motivate people politically, like Goya's work.
Today, there are still people producing culturally grounded work, but its ignored by the academic art establishment, just as Impressionism was ignored by the academic art world of its time. If Americans today see no need for art, its because art long ago rejected them.
For the most part: good composition, close shots, a clear subject. The teens in Venice did very well. With the Yale photos, I don't understand why most of those photos were made.
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