I once used Faber’s divided D76 formula in a very high contrast situation. It flattened the contrast well. But I didn’t find the results better than I could get using other means.
Thank you for sharing your experience. I've yet to use Faber's formula but may want to if Emofin really does become unavailable. Most of my desert world is very high contrast, which I probably should have mentioned.
I'm less interested in "flatness" than in depicting detail in deep shadow while retaining highlight detail, and Emofin excels there. Not incidentally, I Nikonscan all my 35mm negatives, new and old, which, along with inkjet printing makes me appreciate higher acutance than is possible with standard optical enlarging. https://en.wikipedia.org/wiki/Acutance
