How do you print that big?lateral enlarger?
Adding to what Bob said, first the drop bed of De Vere floor standing enlargers gives you close to 8ft from enlarger head to the baseboard (at it's lowest point). Equally important is the choice of focal length enlarger lens.
For 11x14 there's not really a choice only the Schneider or Rodenstock 360mmenlarger lenses cover this format. But for 10x8 both Schneider & Rodenstock 240mm and 300mm lenses cover the format, I have Symmar S lenses in both FL.
Ian
The resurgence of Black & White Silver due to DIGITAL NEGATIVES
Brilliant! I recognize the places from your YouTube videos. Nice space you've got there. Pretty tidy, too, given the variety of chemistry and processes you work with. Bottles and boxes tend to pile up easily when doing this sort of thing.
The silver gelatin from digital negatives, are those mostly/only contact prints, or also enlarged?
It's Bob's huge man cave literally, having had the pleasure of being shown around, I guess the 515 is technically a 15"x12" enlarger which as our largest standard plate camera size here in the UK. All the 5 series floor standing De Vere enlargers use the same column etc and are huge beasts, I had to cut some timbers out to allow my 5108 to reach full height in the apex of my darkroom roof, Looks like you've done something similar Bob above the 515,
Ian
Thanks; that's why I wondered because you'd have been the first to enlarge inkjet negatives with any acceptable fidelity. Contact printing sounds sensible.
So after 33 years of building darkrooms and moving and collecting gear to use this is my current setup , My wife and I live two floors up from this sanctuary, between us is the gallery , framing area and Phase one digital copy room.
everything in this room has a purpose and as you can see I am specializing in 30 x 40 prints and under and using a variety of process, Silver, Cyanotype , Palladium, Gum over layers of all three and Inkjet printing.
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Sorry, I mean Hello Bob, of course
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