Hi Umut,
We're indeed almost neighbors, and we have much in common since the times when we were actual neighbors at the Danube. The Romanian culture has been strongly influenced by Turks during centuries of interactions, and the influences are still evident today, mostly in our language, but also in lifestyle, business practices, cuisine, and several other areas of our culture.
Unfortunately, I can't help you any further. I have never used any palladium toner and have never mixed one. I also have no idea of the total capacity of the solution.
Palladium chloride is hard to dissolve in water, though I believe that if you use hot water, agitate a lot and leave it overnight it will sooner or later dissolve.
Personally, I would try to buy it in solution. See
here, for instance. The price seems quite good, too. 23 dollars for 100ml of 5% solution is much better than 28 dollars for 1g of powder, not to mention that all the work is already done for you.
The toning time is determined visually. Tone until you like the color. Try it first on a piece of scrap film.
There's no need to fix the film after toning, because the toner doesn't contain any silver solvent. Just wash it and hang it to dry.
I'm sorry I can't be of more help. I've never done this. Hopefully someone who has made kallitypes and has some experience with palladium toners will step in.
Sepia toned prints can be anything from yellowish orange to deep brown. You can get almost any shade of brown, particularly if you combine it with selenium. I recommend you get Tim Rudman's book, which has been reprinted and is available from Silverprint (incidentally, Silverprint's 100 pounds minimum amount for international orders doesn't apply for this book - you can buy it alone if you want). It's a great resource, and it also has a chapter dedicated to the toning of films. If you read this book you'll be amazed by how flexible sepia toners can be.