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Wh
What replaced it and about how much?
Their newer models are slightly telephoto so less useful for darkroom
Wh
What replaced it and about how much?
ATN Viper was the best suited to the task, headgear is awkward. Focusing eyepiece and close focuses. Not telephoto (1:1). Don’t make them anymore but great for the job.

Their newer models are slightly telephoto so less useful for darkroom
Could a close-up set of filters be used on these tools or at least one lens?
I think it’s worth noting that ambient light goggles won’t (or shouldn’t) work in this application. You really need an IR illuminator for total darkness.I am a bit of a night vision snob and would normally recommend nothing less than IIT gen2+ pvs14, I use a pair of Anvis 9s (dual gen 3 thin film tubes) on a ground mount adapter attached to an ACH. Of course those recommendations revolve around positive ID in shoot/don't shoot scenarios and not getting shot yourself so you probably don't need a 6k dollar set up for rolling film in your dark room. haha.
Even on the super budget end, I still think analog image intensifying tubes are better than digital. Digital in the night vision realm today is at about the point of digital for photography was at in about 2000, without the cool nostalgia.
I think it’s worth noting that ambient light goggles won’t (or shouldn’t) work in this application. You really need an IR illuminator for total darkness.
Jakks Pacific SpyNet goggles. If I can find mine I’ll sell them for $40 including shipping, which is about what I paid 2 years ago. They work just fine, just never ended up using them. Would be happy to pass them along.And your budgeting recommendations for this kit are?
Jakks Pacific SpyNet goggles. If I can find mine I’ll sell them for $40 including shipping, which is about what I paid 2 years ago. They work just fine, just never ended up using them. Would be happy to pass them along.
Night Vision Goggles - to use in a DarkRoom?!? -
This is certainly a first for me...
I've been meaning to buy a pair of night vision glasses for a while now. Just checking eBay UK, I bought a new pair at the lowest price of about £35.00, so it will interesting to how good they are.
For US members, I've just checked eBay.com, and they start at $53.53 from China. Just type in 'Night vision googles:
Terry S
UK


us.nightfoxstore.com
For what it’s worth, I have the Nightfox Swift 2 Pro, listed here:
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Nightfox Swift 2 Pro Night Vision Goggles
Handsfree recording with comfortable night vision goggles. With 1x magnification and a wide 54° viewing angle you'll stay aware in the dark.us.nightfoxstore.com
The Swift 2 Pro has a 940nm mode. I’ve used these across multiple sessions loading a couple hundred feet of film, so far, including Agfa Aviphot 200, which is sensitive up to 750nm. I’ve also used these with HP5+ and Porta 160 with no fogging-related issues.
The rep is correct that with these or any other IR goggles, you don’t want to use the lower 850nm mode, which does give a very, very faint red glow from the LEDs.
I almost bought a pair of these for 75 bucks on eBay, it came with the case and all the accessories and stuff… Unfortunately, I hesitated too long and by the time I decided to buy it, someone else had already picked it up. Still kick myself for that. Honestly, I have no idea if I would’ve even used them, but they look a ton more comfortable than ones that I have now.For what it’s worth, I have the Nightfox Swift 2 Pro, listed here:
![]()
Nightfox Swift 2 Pro Night Vision Goggles
Handsfree recording with comfortable night vision goggles. With 1x magnification and a wide 54° viewing angle you'll stay aware in the dark.us.nightfoxstore.com
The Swift 2 Pro has a 940nm mode. I’ve used these across multiple sessions loading a couple hundred feet of film, so far, including Agfa Aviphot 200, which is sensitive up to 750nm. I’ve also used these with HP5+ and Porta 160 with no fogging-related issues.
The rep is correct that with these or any other IR goggles, you don’t want to use the lower 850nm mode, which does give a very, very faint red glow from the LEDs.
You get used to it, you understand what you’re doing, you feel around, eventually you get to a point where the night vision is more of an inconvenience than anything.How could any darkroom worker possibly manage without such a useful optical tool?
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