I have a Fujifilm GF670W and the lens is very sharp.
I really wanted one of those when they first came out. Very cool.
I have a Fujifilm GF670W and the lens is very sharp.
Ok I am now looking at Mamiya Six, lets see.
I want something vintage and cheap. The exposure meter is still a problem.
The exposure meter is still a problem.
a new Mamiya 6 with a 50mm lens is easily the match for
Leica lens quality.
May I ask, why is that?
Greg: Have you ever used a Bronica RF645? They are interesting cameras to me.
Me too! Part of the reason I have not pulled the trigger on one of the various Fuji 645's either.the Bronica has a vertically oriented viewfinder....which would drive me nuts since i see photos in landscape and rarely shoot portrait orientation...
If I sold off some of my gear or had extra cash on hand I'd be running with a Mamiya 7 three lens or two lens outfit. Probably won't happen since I don't buy lottery tickets. I have often thought about a Fuji GL690, but don't have any experience with the camera or its lenses. I did have a Fuji GW690 for a while and loved its lens, but the older GL lenses I'm not sure about.Well the original Mamiya Six has neither a meter nor a wide lens.
Since we're talking 6x6 now.... a new Mamiya 6 with a 50mm lens is easily the match for
Leica lens quality. Handles well and the hard covered bellows retracts unlike the Mamiya 7. As good an MF camera as you could ever ask for.
(Mamiya 6, 50mm, TriX)View attachment 416991
Ditto, and one of the reasons why these cameras are so value... Wish there were new units. GF670W also seems like a winner.If I sold off some of my gear or had extra cash on hand I'd be running with a Mamiya 7 three lens or two lens outfit.
645 is actually IMO a better format for travel-street given the frames per roll and assume DoF of a shorter FL standard lens.
If shooting happily with a 6x9, that's a lot of reloading. Beautiful large negs though. Reminds me how 220 would be fantastic for those use cases.

Ok I am now looking at Mamiya Six, lets see.
I think you are condemning things that are tried and true because you have no experience with them. Looks aren't everything! The Sekonic meter is ten times better than almost all the MR meters Leica made for their M series cameras. So, you want a fancy chrome finish meter that won't stay working then go for it. I have an old plastic Sekonic studio meter that's probably 50+ years old and it still works perfect, even after being dropped several times. Functionality is what I'm after and not looks. Oh, it's nice to have a good looking camera or piece of equipment, but that is not the most important thing. As far as the bellows go on the Mamiya or even Zeiss folders, they all can be replaced.I have looked at all suggestions from this thread (excluding 1990s Mamiyas - I want silver 1960s vintage feeling). As mentioned before, the Six IVB (with the square windows) seems to be interesting, despite the compromises I will have to make.
Unfortunately I cannot find any in Europe at the moment, so the hunt will take a bit longer.
The Sekonic EM...I don't like this flimsy piece of plastic at all and would be happy to pay 2x as much, had it a better look and feel.
So, for now my question has been answered, thank you to all who contributed. Now I am interested in real life experiences from owners.
O/T: Has anyone ever replaced the bellows on this camera?
That seems a really good choice that will be both fun and productive. For a while I was looking into the breadth of 1960's MF folders and kept coming back to the Mamiya Six, specifically the IVB. None in North America that I could find so I put that thought on the backburner and continue with my 1930's Kodak/Nagel Duo six-20.I have looked at all suggestions from this thread (excluding 1990s Mamiyas - I want silver 1960s vintage feeling). As mentioned before, the Six IVB (with the square windows) seems to be interesting, despite the compromises I will have to make.
Unfortunately I cannot find any in Europe at the moment, so the hunt will take a bit longer.
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